Fence Stitch Tutorial
THE RADICAL CROSS STITCH GUIDE TO FENCE STITCHING
In collaboration with the realestate4ransom prankster campaign against the rampant land speculation plaguing Melbourne’s suburbs, Radical Cross Stitch and the Melbourne Revolutionary Craft Circle invite you to engage in a small piece of community beautification. This post is all about the how – make sure you read all about the why before you begin.
The following document contains full instructions on how to cross stitch a dollar sign on your favourite local block of vacant land.
Materials:
x Red wool – can be obtained from your local op shop, your own craft stash or raid someone else’s
x Time
x A fence with either diamond or square grid on a block of vacant land
x A friend or two – ‘cause these things are always more fun with mates
Part A: Finger Knitting
Step 1: Tie your wool in a loose loop around your index finger
Step 2: Swing knot around to the back of your index finger then loosely loop wool round your middle finger.
Step 3: Bring wool round the back of your hand and from left to right, wrap over the front of your fingers above the existing loops.
Step 4: Take hold of original loop on your index finger and pull it over the second loop and over your finger and release. You’ll need to bend your finger down to get it over easily. The first one might be a bit tight if your original loop wasn’t loose enough. Don’t worry this is normal and won’t happen on the rest of them.
Step 5: Repeat step 4 for the loop on your middle finger. Will look like this when finished.
Step 6: Take hold of loose wool and wrap around your hand counter clockwise, ensuring the new wool sits above the old wool looped on your fingers.
Step 7: Repeat steps 4-6
Step 8: After about 7-10 rounds a ‘snake’ of knitted wool will be forming behind your hand. Pull on this snake to lengthen and tighten it.
And that’s it!
Now time to keep knitting. You’ll need about 10 metres for this project. Once you have about 5 metres of knitted wool, cut the wool and tie it round your finger knitting to knot it. Don’t worry about this looking too attractive; it’ll get chopped off during the fence stitching process.
Part B: Fence Stitching
Now these photos aren’t as sexy due to the whole night time installation aspect of this kind of thing. Turns out my camera doesn’t like taking close shots of bright red wool at night with a flash… But you’ll get the drift.
This tutorial is based on a stitch done on a diamond shaped chain link fence. If you’ve struck gold and found a square grid fence, the directions will be slightly different. I’ve italicised the extra bits.
Step 1: Figure out where you’re going to start. You want your stitching to be nicely centred. Don’t rush this process! Count it a couple of times if you need to. Make sure your design has enough room without running into the edge of the fence, or into a broken bit of fence.
Step 2: Tie the end of your wool onto the fence onto the left corner of the diamond or bottom left corner of the square. Don’t worry about the hanging end bit of wool, you can tidy these all off at the end. But ensure it’s tightly secured so it doesn’t come off!
Step 3: pull your wool straight across the diamond and through the next diamond. Pass the wool behind and down to the diamond below. Gee that’s kinda hard to explain – look at the picture! For square grids you’ll go diagonally up and then down.
Step 4: pull the wool vertically (or diagonally) up, through and behind to the next diamond. In the picture my next diamond was the one up and to the left from my first.
There’s your first cross!
Now a brief pause to talk about tension. It’s really important to keep all your stitches tight! Firstly because it looks better, secondly because it lasts longer and finally and most importantly because it uses less wool! All that time finger knitting – best to use it efficiently! I usually stop every couple of stitches and give everything another tug to make sure it’s nice and tight.
Step 5: repeat steps 3 & 4 for the rest of your pattern. Once you get the hang of it you can start to get a bit clever about using the ‘thread’ to secure the behind work a bit neater as you go along. You want to keep the behind work as close to the stitches or the wire as possible so it keeps it neater and makes your finished design really clear. There’s no clear way to explain how to do this because it all depends on what direction you’re going in. It’s something you pick up with practice. So the more fence stitching you do the better!
Step 6: When you’ve finished the pattern, tie your wool off as tight as you can. As with your original knot, make sure it’s super secure.
Step 7: Cut off the extra wool. Make sure you leave a couple of centimetres spare just so the wool has a little bit to move before coming undone. Remember your stitching has to brave the elements so it will all move a bit over time.
Step 8: Step back and admire!!
Congratulations you just made one ugly mofo fence, heaps less ugly. And if you’ve used this pattern – you’ve also helped educate your community that this wasted block of land that appears to be just collecting weeds and rubbish is also helping line the pockets of some fat cat speculator. These blocks don’t just sit there doing nothing – they sit there making money!
The Pattern!
While of course you can use this tutorial to make whatever pattern you want – there’s no such thing as a bad fence stitch! – this tutorial has been put together to encourage to get on board with our campaign to highlight the vacant land in our suburbs. Land that is sitting there being ugly when it could be a lovely home – or a nice local business.
Here’s the two dollar sign patterns. One for a square grid (these are the easiest to do – but the fences are rarer) and one for the diamond grid.
They’re not the best quality image for the diagonal fence sorry… Will work on getting a better one, but it should do the trick for now.
And that’s it!
I’ve also made a pretty pdf version (8MB) of this doc which is easiest for printing if you prefer.
Very much looking forward to seeing what people can do with this tutorial. As a special treat, if you send me pics of your finished dollar sign and let me know your postal address I’ll send you one of our limited edition gocco printed speculator cum rags!
So get out there kids. There are literally hundreds of canvases across our suburbs to decorate! If you need help finding one maybe check out the invest page on the realestate4ransom.com site for some ideas.
xox
stitching a new economics
Those of you who’ve been following this site for a while will know that one of the biggest issues that concerns me is the stifling effects of land speculation on our communities and our creativity. While many of us crafty types would love to make stuff full time, it’s just not possible when we need to work so many hours a week to pay the rent/mortgage. It’s bloody frustrating that our economic system rewards those that just buy and sell for a living yet punishes those of us who actually create.
One of big current issues in the craft world has been the ripping off of the ideas and designs of independent crafters/illustrators etc. It seems like a weekly occurrence that some big company has found the work of a designer online and stolen it for their own products. And who has the legal budget to fight that kind of crap?
Whilst this might seem like a new phenomenon, the practise of capitalising off the creative talents of artistic communities has been around for a long time. And the most damaging application of this practise occurs in the land markets. While we’re out busting our bums creating vibrant awesome and sustainable communities, behind the scenes is a secret, shady bunch of land sharks circling.
It’s called gentrification – and there’s a really good explanation of how it works on the I Want To Live Here film comp site.
It sucks that we bust our asses creating great places to live only to get priced out of the area by lazy land hoarders cashing in on the value our hard work creates.
I think it’s super important for creative people to understand because it’s pretty common to see creative responses to the aesthetic issues of land banking – but rare to see these responses address the real drivers behind the issues. I’ve been seeing more and more projects emerging that are designed to make boarded up buildings attractive or to ‘help’ landlords find creative people to move in. But while the intentions behind these projects are very positive and genuine, they do all have the long term effect of making the land more valuable, thus compounding the problem. What’s needed are creative ideas to try and break the cycles and systems that create the problem of high rents and vacant buildings in the first place.
But of course the first step is understanding.
I always say that an important role of the artist in society is to act as a mirror of society – so we can see what we’re really up to, and to help create the visions of the way things could be. Inspiring and creating change is something artists and crafters are really good at – and have been doing for centuries.
So I was super proud to be asked to be part of a team of local creatives keen to get together and create a visual campaign around the effects of rampant land speculation in Melbourne. It currently takes 9.5 years of full time average wage to buy an average house in Melbourne (it was 4 years when the subprime crisis hit the US). This is absolutely insane! Yet still our media and politicians continue to perpetuate the myth that forever rising property prices are a good thing.
But who are they good for? Not young people, that’s for sure. How many of you young renters out there could ever imagine having the half a million bucks it takes to enter the market in Melbourne today? How many of us continue to buy the story that the First Home Owners Grant is about supporting young people. When in reality all the policy has done has further inflated prices above and beyond the original grants. First Home Owners Grant? Baby Boomers Bailout more like.
This stuff is so important for creative people to understand for two reasons. Firstly because it directly impacts on our lives in regards to the hours of our lives we waste working to pay for the roofs over our heads. And secondly because our own communities are guilty of perpetuating the same behaviour. I can’t count the number of craft and indie design markets I have seen this year alone with insanely high stall fees. There was one in particular I saw where the stall fees for a ‘fringe’ event alongside a major design event were higher than for the design event itself. And this is becoming more common.
We need to call bullshit on it.
The fact that there is a massive shift in awareness towards the important economic and environmental benefits of handmade stuff is freakin awesome. There are wonderful communities everywhere making and buying the things they need in life without destroying an ecosystem or exploiting another community in the process. We need to do what we can to support these systems and a big part of that is keeping a close eye on the marketplaces that support the trade in these products.
I have personal experience in running a market so I have an idea about how much these things cost – in both time and money. Our markets were run for the love of craft so we didn’t ever break even on costs but we really didn’t charge much for stalls. What was important for us was that our sellers had the freedom to make really out there stuff. Charging a high rent – which is what a stall fee is – would impact on that freedom, so we kept the fees low.
I know we could’ve charged a bit more. I’m sure our sellers would’ve forgiven us for wanting to at least cover costs. But if we had of charged that, and if we’d have hired a flasher venue and spent more on advertising etc there is NO WAY we would’ve been charging some of the stall fee levels I’ve seen recently.
I think it’s essential that if the craft movement in particular is going to have an analysis on issues of environmental impacts, multinational retail and workers rights we must also have a solid analysis of the politics of property – both physical and intellectual – since these areas have such massive impacts on our practice as crafters.
Enough ranting.
For this campaign we decided the main objective was to try and get young people to pay attention to the way land was being used in our suburbs. And to try and draw attention to who really drives the debates around these issues.
So presenting Melbourne’s latest real estate company: realestate4ransom.com Check the website and Facebook for more info on what it’s about and to see some of the images of the street part of the campaign. I’ll try and update some major bits here too.
But the main reason for this post is to get some of you undercover operatives in the Melbourne Revolutionary Craft Circle fired up to get out and do some craft! I’ve put together a tutorial on how to do a dollar sign on a fence. This post was supposed to be that tutorial but given the length of this post already I think I’ll do it separate..
So check out the website, fan us on Facebook and follow us on Twitter and Youtube (stay tuned for mad clip) and help us spread the word about what’s really going on.
Tutorial next!
xox
Barkly Street Addition
So a couple of weeks back I was travelling past the Barkly St fence and decided to jump off the bus to check out how the wool was weathering. And to my enourmously pleaseant surprise I discovered someone had added to it!
It’s not the best photo (I realised later) but it reads “I hear U’ stitched amongst the question marks! And it looked gorgeous!
Massive hellos and respect to the person who did it! Please get in touch xox
So in the weekend I headed back to get some better photos, only to discover someone had come along and cut it all off the fence. Not in any kind of nice way either, all the wool was left lying all over the ground. Hmpf.
So I cracked out some spray glue and stuck piles of it back to the top of the fence. Nowhere near as pretty. But better than it all sitting on the ground.
And still there’s no house there…
Some Interventions and an Opening
Last night saw the official launch of the Interventionist Guide to Melbourne cabinets in Platform Gallery, Flinders Subway, Melbourne. While there is a gallery space where you can go and see work, the true work is on the street, where each artist is spending the month of October encouraging and developing new ways of doing public art in Melbourne.
I have installed four pieces of work around the streets now and planning a fair few more. For those of you in Melbourne, put October 16-18 in your diary as the weekend where all the artists will be hitting the streets for performances, tours, installations and other creative bits and pieces.
Two of the four pieces have already been on here:
And here’s some pics of the latest couple.
You might recognise the last piece from here.
For this show us artists were asked to consider urban space: how it’s built, how we relate to it, how others relate to it. And for me it is very much about questions of ownership, access, power and control. My experiences of Melbourne’s CBD have been quite varied; as a worker, an activist, a resident, a mother, a pregnant woman, a public transport user, a cyclist, a pedestrian. None of those experiences have meant much control in the space so I’ve managed to experience quite varied forms of discrimination in that space.
I’m also very aware of the access issues other people face. Those in wheelchairs is a prime example. It’s hard enough getting around with a pram sometimes, but even harder with a wheel chair. You learn a whole different path of navigation around the city that able bodied people just don’t ever need to consider. Another example is the elderly. I do know people who live in Melbourne who haven’t visited the CBD in over a decade because it’s just too hard and intimidating. They prefer the relative safety of the suburbs where they can get everything they need without the (media driven) fear of the city space. And there’s of course other reasons, language especially.
This all means that there is a large amount of people who are simply excluded from that space, they are invisible.
I got wondering just how many other people thought about these issues and I figured probably not too many. Discrimination tends not to be something you think about until you experience it, and spatial experience is something that even those that experience it, aren’t necessarily aware of. The idea that our cities and buildings are designed by and for able-bodied white guys is such a given that considerations for other needs are rarely made.
I always find department stores pretty amazing in their design. If you stop and look at actually who uses a department store, women are by far the majority. Yet even their designs rarely accommodate their needs. If it’s a multi story building you will almost always find the baby wares department above or beyond ground level. So a woman with a pram is going to need to negotiate at least one floor change to get there. And given you aren’t supposed to use an escalator with a pram it can sometimes take longer to get to the department you want than to find the actual item you’re looking for once your there. And that’s if you can get through the aisles. It’s astonishing how many shops selling baby things I have been into with a pram that have aisles narrower than the average pram..
So a lot of the pieces I’m doing are talking about different peoples’ relationships with space. And also the stuff that moves through the space. Especially given a fair chunk of the urban space is dedicated to the peddling of stuff.
The piece above on the rubbish bin is one such piece. Very much geared towards encouraging people to consider how easily and flippantly we throw things away. Rather than focussing on whether you can recycle something or not, I’m more interested in people thinking about why they needed this throw away thing in the first place. It seems that so many people still believe that the solutions to climate change and the rampant abuse of our planet are decisions to be made by politicians and CEOs. While those people certainly have a role, the role of the consumer in changing their own behaviour is just as, if not more important. In a country with the highest per capita emissions in the world, we really need to start thinking about why we invest so much energy in making things just to have a short, uninteresting interaction with the thing and then throw it away. There’s got to more to life.
So these are just some of the issues that I think about when engaging with the urban fabric. And I am sure these are completely different to the issues the other artists consider. I urge you to visit the website and visit the gallery and check them all out.
And most importantly, I urge you to grab a map from the gallery and get out into the city and consider your own relationships with the spaces within and what opportunities you see for artistic practice and engagement. Then head back to the gallery and share your ideas with the rest of us!
And now for some pics of the opening. Thanks to all who came it was a great night!
Thinking about street art
The upcoming Interventionist Guide to Melbourne show has given me plenty of time to think about the role artists play in our society and how much art is constrained by our economic system.
Any artist that spends more than five minutes thinking about the world around them will be aware of the effect gentrification has on their lives. But it seems very few really understand how it works. I see far too much art around me – especially street art – that plays into the hands of the gentrifiers.
I was gonna write a big rant on this but instead I URGE you to download and listen to this episode from the Renegade Economists instead. It sums up so brilliantly the economics behind why artsists are just pawns in the speculators profit game.
What really frustrates me is when I see really brilliant creative minds who go cap in hand to the land lords asking for good deals on rent for creative spaces when really it should be the other way around. Especially if you think about how much value artists contribute to communities. Or arguably even worse is when artists set themselves the task of ‘prettying up’ a decaying suburb. Rather than questioning why there’s row after row of boarded up shops, they just go and paint pictures on them. The owners freakin love it, I assure you.
There are countless examples of how artists move into a run down area, get cheap rent, make the place awesome and desirable and then get priced out of the area when the speculators cash in on their efforts.
The question I have to ask is, as artists when are we going to educate ourselves on these issues and collectively stand up against it?
Rent is one of the reasons we started the Craft Cartel. We wanted to create a market space for crafters who were doing truly interesting things. It was apparent to us that so many crafters were making stuff that was palatable for the retail sphere not out of desire but out of need. There’s no point making stuff unless you know for sure someone is going to buy it, especially if your craft is a major source of income. And if you want to sell your stuff in shops the pressure is even greater as the shop owners have such massive overheads. Especially rent.
So we made a real concerted effort to have super low stall fees at our markets because we wanted people to be able to have a space to bring the really crazy stuff. The political stuff, the kooky stuff and the stuff that really makes you squirm..
It’s very much a labour of love for us. The stall fees went to covering the costs of the market but didn’t go near covering our costs to organise and promote. But the payment was in the fantastic community that arose out of it. We had sellers say to us that they loved coming to our markets, not to make money but to have a great time! So as far as we were concerned, it was a raving success.
So it really gets me going when I know that crafters are busting their asses to make sustainable, interesting, awesome things and there’s so many people out there sitting around trying to figure out how to make money off them. Be it stupidly expensive markets, yet another bloody internet marketplace or (what really makes my skin crawl) advertising space – we even rip each other off!
It is the monopoly capitalist system that makes it so hard for makers. Yet it’s so rare that we sit down AS MAKERS and use our creative skills to come up with new ways of doing things.
But sometimes people do. And I want to pay massive respects to those people.
If you want some inspiration or some more info I recommend you check out some of these resources:
- Community Land Trusts – a bloody good working example of reformed local economics
- I Want To Live Here – Born to Rent – win $3000 by making a short film about gentrification. And there’s some good writing about gentrification on that site. Especially check out the blog.
- The Antagonist Movement – just discovered this NY crew and LOVE! Actually gives me a reason to want to visit that fine city.. What really pressed my buttons was this short doco I found on Wooster Collective. It’s brilliant. Watch.
The Antagonist Art Movement – For Dummies from Anthony Ferraro on Vimeo.
MRCC gets more press!
The latest Melbourne Revolutionary Craft Circle action already got in the local paper. And to add to that I did an interview on 3CR’s fabulously awesome DIY Arts Show – which you can listen to online now.
AND today a story has appeared in The Vine about it.
Yay!
RCS in the paper
After the latest action by the Melbourne Revolutionary Craft Circle in Footscray, one of the local papers, The Star, wrote a story about it. Including a lovely bad ass guerilla crafter pic!
What the…
Readers of Radical Cross Stitch will remember last year when the Melbourne Revolutionary Craft Circle got out in Footscray and stitched ‘I Wanna Live Here’ on the fence on the corner of Barkly St and Commercial Road. Here’s the award-winning short film by Anna Brownfield as a refresher
So almost a year on and some philistine (guessing the landlord..) cut it off! Clearly not happy with the community questioning the ongoing waste of such a precious resource the local landmark was destroyed.
The MRCC was clearly not going to let this go unresponded to. So a few days later we were out again, this time armed with bright green wool and tummies filled with Pho.
What the hell is going on?
Why is this block still empty?
Why are there 11 other vacant sites around the primary school?
Why does the State Government continue to believe the outright lies of the property industry that the housing crisis is driven by lack of land?
Why do we still allow this waste of our most precious resource when there’s over 100,000 people every night in Australia with no place to live, let alone call home?
We’ve had enough.
Green Renters
Anyone who’s ever rented a place will know how hard it is to get your landlord to fix something when it’s broken. Unless you have a dream landlord – or your landlord lives with you – it can take bloody ages.
I remember living in a flat at university which was owned by a lecturer and managed by her daughter. They were pretty good landlords but were right into spending as little as possible on the place. That meant the daughters husband was made to do any alterations on their houses. He was a lovely bloke but not really that competent.
One day we were told that they were going to fix up our (centuries old) side footpath. This was great – we thought – until the work fixing the footpath broke the (centuries old) sewerage pipes under the footpath. Needless to say we went without a loo for far too long for a house of four twenty something women, and the place stunk for weeks!
Everyone has a story like this. It does seem so much easier to own your own place. But with housing affordability at its worst point since WW1 in Australia for far too many owning is just way out of the question. (And for those of you considering buying? Don’t. Read this.)
So for those of you out there in rentland who are conscious of the fact we live on a finite planet and are looking for ways to reduce your house’s impact on the earth, there is a brilliant new site for you!
Green Renters is “a blog for those who rent but still strive to lead an ecologically and environmentally sound existence”. The site is chocka full of tips on how to increase the efficiency of your home life without major renovations and also good strategies for convincing your landlord that the major sustainable renovations are a good idea.
Did you know that the home insulation rebate is turning into a properly funded thing on July 1? That means that people on lower incomes can get their home insulated for free from July 1. The grant is only for owner-occupiers but there’s a few people I know that live with their landlord, so if that’s you, make sure your lord sees this!
Green Renters is a super resource and I recommend you all take a look. Even if you do own your own home there’s a ton of good resources on how to do things cheaper and better for our lovely earth.
Hooray!
Badgeriffic
I’m getting super excited counting down to this years’ Melbourne Social Forum, which is on in just TWO WEEKS! If you’re never been to a social forum before, it’s kind of like a global economic summit but without the white guys in suits, massive military presence and counter-productive outcomes. The social forum movement arose as an alternative to the globalisation wave that was sweeping the planet at the end of the last millennium, based around the idea that ‘another world is possible’.
At social forums, grassroots activists who work in the fields of social, economic and environmental justice get together and update each other on campaigns, talk about their work and share skills and resources.
This Melbourne Social Forum there’s gonna be a pretty decent craft presence as the movement is really coming to grips with the idea that a big part of sustainability is making more of the things we use in our lives. The Craft Cartel is doing a workshop (details to come) about craftivism and some of the issues around the consumerisation of craft.
And of course, there’s gonna be a market at the social forum! There’s going to be heaps of different organisations with stalls so you can learn about all the campaigns going on and find out what you can do to support them. And there’s going to be a heap of local, handmade stuff on stalls. I borrowed a badge maker to make some more stuff to go on my stall and spent yesterday happily making mixed media badges. There’s some at the top of the post. Like? You better come to the Melbourne Social Forum!