Sydney, here we come
When I first moved to Australia, Sydney was my first stop. I have an aunty there who’s always been a great friend and at the time some old buddies were based there. I wasn’t there long but it sure was a crazy time. And while Sydney is probably not the kind of place I would chose to live in, it’s definitely a place I like to visit.
Sydney always invokes memories of sunny days, tropical storms, plenty of trees and fabulous bird life. It’s definitely one of those big cities that is so diverse geographically that it’s not hard to find a spot where you feel like you’re in a small town.
So I was pretty excited when Casey and I were contacted early in the year to see if we’d bring some work up for an exhibition. It’s been a long time coming, but it’s finally here!
This Saturday Object Gallery is opening We Craft This City. The Craft Cartel will be there displaying our stockpile of knitted ammunition for the Stop the Pulp Mill campaign. We’ll also be holding a workshop so you can join in and make your own. No experience necessary of course!
We’ll also have some work on the wall. Casey has a couple of pieces in the show and I’m showing three of my larger pieces, including a brand new one, and a series of small pieces. I’ll do a full write up with pictures after the opening.
Also in the show and holding workshops are the awesome Ebony Bizys and Knitty Gritty and Loopy.
And then! On Saturday night is a screening of Making it Handmade in Annandale. There’s not many tickets left so if you want to come you should get yours quick smart! After the screening, there’ll be a short Q&A with the Director, Anna and Casey and I. Do hope you can make it to see this awesomely inspiring film.
xox
Rayna
p.s. apologies on the lack of blogging recently. If you haven’t heard, we were broken into and had our laptops stolen. I’m still waiting on our insurance company to replace them! In the meantime I’m using a dreadfully slow computer that HATES the internet. It’s hard I tells ya.. Normal sporadic service should resume shortly (I hope).
Extreme refashioning
In other news, the Craft Cartel has been a bit blimmin busy.
Last weekend kicked off the Anti-Gentrification Festy Fest in Fitzroy. We got together with Earthsharing Australia and started talking about the crazy state of our economy and what impact it’s having on creative peoples, and young people. And we thought it was a bit mad that this boom bust system which seems to be all about property speculators totally cashing in everytime a community starts making things a bit more blimmin interesting. It seems to us that the world would be a much radder place if we could all afford to make and grow things and hang out in our communities. looking after each other more. Instead we’re all stuck working stupid hours in boring ass jobs trying to pay the rent which never seems to stop going up. And don’t even think about buying a house ’cause the baby boomers have got all the land locked up and are quite content charging younger generations whatever they can to fund their retirement.
SO
Rather than sit around bitching and moaning about it or throwing our arms up in dispair that we can’t do anything about it we thought let’s get some creative people with creative brains together to try come up with some SOLUTIONS.
The festival has started brilliantly with a giant gory craft session with the old Tote hotel carpet as our chief material. Casey donned a ballgown made out of the stuff by the stupidly talented Kathryn Jamieson and thanks to some hardcore stinky branding, festivalgoers got to take home their own Tote souvenier doormat. Also on hand was a mad fun Lagerphone making workshop.
Best of all the bar was aflush with wonderful conversations about potential models for change and plenty of stories were told about histories of creative resistance against the landed gentry.
The festival continues with an exhibition in the windows of the Workers Club with the Ballgown and other crafty carpety stinky artifacts. And finishes off on the 27th at the Workers Club with the DIE YUPPY, DIE! concert and festy fashion jam.
We’re also putting together a zine of IDEAS and THINGS YOU CAN DO to smash the property monopoly that has our beautiful creative selves captive. If you missed out submitting your idea at the Festival in the weekend, you can submit an idea via our website. And we’ll pop it in.
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Also,
Craft Cartel presents:
Vogue – Bike Fashion Jam
DIY BICYCLE GEAR WORKSHOP TO KEEP THE COPS & THE FASHION POLICE HAPPY
11:00 – 13:00
Saturday 19 June 2010
Coburg Library
Cnr Victoria & Louisa Streets, Coburg
Craft Cartel, alarmed by sights of fluoro lycra clad cyclists and equally aghast at the thought of coming a cropper while partaking in our favourite form of transport, are proud to present a solution: High Viz Vogue, a DIY bike fashion workshop.
The event, which is part of the Moreland City Council Coburg Carnivale, invites members of the public to adapt helmets and other clothing bits they’d like to make roadway and catwalk friendly, or to start from scratch using supplied materials. Local designers Miss Viz will be on hand to provide guidance and there will be displays of innovative bike fashion solutions such as designer Ann Maher’s ‘biker bustle’.
The event will culminate in a fashion parade with prizes supplied by Crumpler and will be followed by a celebratory ride through Moreland to parade the new hip gear led by Sugar Spokes all female bike crew.
“We don’t think riders should have to choose between having a sore body and being an eyesore,” says Cartel co-founder Casey Jenkins, “You can look hot while you’re cycling and still keep yourself safe, we’re going to show you how.”
Free! No experience necessary! All materials supplied. Ace prizes from Crumpler to be won.
Don’t Hate the Media, Be the Media
As readers of Radical Cross Stitch will know I am a big time fan of Melbourne community radio station 3CR. There is nothing like turning on the ol’ wireless to hear people from my own communities talking about news and issues that are relevant to me and the lives of the people around me. And it’s even better that I never hear any loud voices screaming at me to quickly empty my pockets into the hands of giant corporate consumerist empires!
So I didn’t hesitate for a second last year when the fine folk there asked me to contribute to the 2010 Seeds of Dissent Calendar. I still consider that piece to be my greatest stitching achievement so far and I was super happy over the weekend to finally pick it up from the framers after a 12 month hunt for the PERFECT vintage frame.
Well I promised that I’d make the pattern available and at long last it’s now in store. And if you hurry and grab it over the next couple of days it’s half price (sale ends Friday). Proceeds go straight to 3CR! If you don’t already know the 3CR Radiothon is on NOW! So you should pop over to their website and become a subscriber. The theme for radiothon this year is Handmade Radio and subscribers get a copy of CRAM which contains a fab pattern to make your own radio! Including some wee cross stitch embellishment patterns from me.
Need more reasons to love 3CR? Check the spunks in this wee clip
3CR Radiothon TVC 2010 from 3cr on Vimeo.
Help Uncle Kev
Ok folks. Put your hands in your pockets. Uncle Kevin Buzzacott (Aboriginal Elder/Activist) needs money for a big operation soon. You can donate by buying his track “Rok Hop”. He needs your money quick, so dig deep folks and follow the link. You can donate as much as you want.
You can also buy one of my cross stitch patterns from the Radical Rags shop. 100% of proceeds between now and the end of Jan straight to Uncle Kev.
Uncle Kev is one of the most inspiring, endearing, radical and deadly funny elders in the movement to protect country. The irony that a man who’s spent so many decades fighting uranium mining is now needing treatment for cancer is not lost on any of us. Please give back to a man who has given so much.
Gocco!
If you’re a twitter follower you might have picked up a while back that I scored a new Gocco set for super cheap and it was PRETTY BLIMMIN EXCITING!
It took me quite a while to gather up the confidence to have a go. It’s all new and scary, you see. But I finally had a project I really wanted to do so I hitched up my pants and leapt in.
I was armed with the awesome tutorial by Pip which I wholeheartedly recommend checking out. Even if you’re not planning on doing the fabric thing and printing on paper with actual gocco paint, this tutorial is super helpful. I definitely used Pip’s tutorial alongside the official instructions and it made heaps more sense with both.
So I’ve now made TWO different screens and made a heap of patches.
The first lot were made as some pretty banners for vacant blocks of land. We’ve attached ribbons on the corners so they can be tied on to fences. I thought this was a good first project since the prints don’t need to be perfect and we can’t be too attached to them since they’ll probably get taken down.
Here’s a bunch drying.
And here’s a couple in action! The first one was in St Kilda and the second was on Malvern Road somewhere
FUN! Part of my little creative contributions to the realestate4ransom.com campaign highlighting the stupid waste of land we’ve got going on round the place.
The next project I did was in honour of Buy Nothing Day 09 and also as my wee action towards Copenhagen. Being seven and a half months pregnant does preclude a fair amount of activism so I took the creative option!
I got the idea after a cool chat with an awesome Friends of the Earth volunteer at the Green New Deal conference. Sorry I can’t remember your name! Hope you see these and like 
When I get around to sewing up some more I’ll send some to the FoE shop. I decided to border some of them with small black satin ribbon, just to make them a bit glam. I also decided I very much like printing on calico. It seems to pick up the ink best and it looks nice too.
Printing on fabric with Gocco is a little bit hard and takes a bit of perseverance. I’d very much like to try it with someone else doing some of them!
What is really easy though is printing on paper!
Last weekend I went to the open studio for the super cool Gemma Jones. The open studios were part of the Big West Festival – which was also super cool! Can’t wait til the next one! (I should also write about that – especially the knitted bridge installation – but I reckon it won’t happen so go check out the other cool crafty stuff on their website).
Gemma gave a couple of demos on how to use a Gocco and we all got to have a go. It was MOST FUN. I picked up some new prints for my wee girls new room so the walls are quickly filling up with rad art.
Those prints were done on an old sex guide book. Some of the pages were hilarious! My favourite was ‘what to say in bed – and when not to laugh’. Genius.
So now I’ve gotten over ‘the fear’ I’m psyched to do more!
Fence Stitch Tutorial
THE RADICAL CROSS STITCH GUIDE TO FENCE STITCHING
In collaboration with the realestate4ransom prankster campaign against the rampant land speculation plaguing Melbourne’s suburbs, Radical Cross Stitch and the Melbourne Revolutionary Craft Circle invite you to engage in a small piece of community beautification. This post is all about the how – make sure you read all about the why before you begin.
The following document contains full instructions on how to cross stitch a dollar sign on your favourite local block of vacant land.
Materials:
x Red wool – can be obtained from your local op shop, your own craft stash or raid someone else’s
x Time
x A fence with either diamond or square grid on a block of vacant land
x A friend or two – ‘cause these things are always more fun with mates
Part A: Finger Knitting
Step 1: Tie your wool in a loose loop around your index finger
Step 2: Swing knot around to the back of your index finger then loosely loop wool round your middle finger.
Step 3: Bring wool round the back of your hand and from left to right, wrap over the front of your fingers above the existing loops.
Step 4: Take hold of original loop on your index finger and pull it over the second loop and over your finger and release. You’ll need to bend your finger down to get it over easily. The first one might be a bit tight if your original loop wasn’t loose enough. Don’t worry this is normal and won’t happen on the rest of them.
Step 5: Repeat step 4 for the loop on your middle finger. Will look like this when finished.
Step 6: Take hold of loose wool and wrap around your hand counter clockwise, ensuring the new wool sits above the old wool looped on your fingers.
Step 7: Repeat steps 4-6
Step 8: After about 7-10 rounds a ‘snake’ of knitted wool will be forming behind your hand. Pull on this snake to lengthen and tighten it.
And that’s it!
Now time to keep knitting. You’ll need about 10 metres for this project. Once you have about 5 metres of knitted wool, cut the wool and tie it round your finger knitting to knot it. Don’t worry about this looking too attractive; it’ll get chopped off during the fence stitching process.
Part B: Fence Stitching
Now these photos aren’t as sexy due to the whole night time installation aspect of this kind of thing. Turns out my camera doesn’t like taking close shots of bright red wool at night with a flash… But you’ll get the drift.
This tutorial is based on a stitch done on a diamond shaped chain link fence. If you’ve struck gold and found a square grid fence, the directions will be slightly different. I’ve italicised the extra bits.
Step 1: Figure out where you’re going to start. You want your stitching to be nicely centred. Don’t rush this process! Count it a couple of times if you need to. Make sure your design has enough room without running into the edge of the fence, or into a broken bit of fence.
Step 2: Tie the end of your wool onto the fence onto the left corner of the diamond or bottom left corner of the square. Don’t worry about the hanging end bit of wool, you can tidy these all off at the end. But ensure it’s tightly secured so it doesn’t come off!
Step 3: pull your wool straight across the diamond and through the next diamond. Pass the wool behind and down to the diamond below. Gee that’s kinda hard to explain – look at the picture! For square grids you’ll go diagonally up and then down.
Step 4: pull the wool vertically (or diagonally) up, through and behind to the next diamond. In the picture my next diamond was the one up and to the left from my first.
There’s your first cross!
Now a brief pause to talk about tension. It’s really important to keep all your stitches tight! Firstly because it looks better, secondly because it lasts longer and finally and most importantly because it uses less wool! All that time finger knitting – best to use it efficiently! I usually stop every couple of stitches and give everything another tug to make sure it’s nice and tight.
Step 5: repeat steps 3 & 4 for the rest of your pattern. Once you get the hang of it you can start to get a bit clever about using the ‘thread’ to secure the behind work a bit neater as you go along. You want to keep the behind work as close to the stitches or the wire as possible so it keeps it neater and makes your finished design really clear. There’s no clear way to explain how to do this because it all depends on what direction you’re going in. It’s something you pick up with practice. So the more fence stitching you do the better!
Step 6: When you’ve finished the pattern, tie your wool off as tight as you can. As with your original knot, make sure it’s super secure.
Step 7: Cut off the extra wool. Make sure you leave a couple of centimetres spare just so the wool has a little bit to move before coming undone. Remember your stitching has to brave the elements so it will all move a bit over time.
Step 8: Step back and admire!!
Congratulations you just made one ugly mofo fence, heaps less ugly. And if you’ve used this pattern – you’ve also helped educate your community that this wasted block of land that appears to be just collecting weeds and rubbish is also helping line the pockets of some fat cat speculator. These blocks don’t just sit there doing nothing – they sit there making money!
The Pattern!
While of course you can use this tutorial to make whatever pattern you want – there’s no such thing as a bad fence stitch! – this tutorial has been put together to encourage to get on board with our campaign to highlight the vacant land in our suburbs. Land that is sitting there being ugly when it could be a lovely home – or a nice local business.
Here’s the two dollar sign patterns. One for a square grid (these are the easiest to do – but the fences are rarer) and one for the diamond grid.
They’re not the best quality image for the diagonal fence sorry… Will work on getting a better one, but it should do the trick for now.
And that’s it!
I’ve also made a pretty pdf version (8MB) of this doc which is easiest for printing if you prefer.
Very much looking forward to seeing what people can do with this tutorial. As a special treat, if you send me pics of your finished dollar sign and let me know your postal address I’ll send you one of our limited edition gocco printed speculator cum rags!
So get out there kids. There are literally hundreds of canvases across our suburbs to decorate! If you need help finding one maybe check out the invest page on the realestate4ransom.com site for some ideas.
xox
stitching a new economics
Those of you who’ve been following this site for a while will know that one of the biggest issues that concerns me is the stifling effects of land speculation on our communities and our creativity. While many of us crafty types would love to make stuff full time, it’s just not possible when we need to work so many hours a week to pay the rent/mortgage. It’s bloody frustrating that our economic system rewards those that just buy and sell for a living yet punishes those of us who actually create.
One of big current issues in the craft world has been the ripping off of the ideas and designs of independent crafters/illustrators etc. It seems like a weekly occurrence that some big company has found the work of a designer online and stolen it for their own products. And who has the legal budget to fight that kind of crap?
Whilst this might seem like a new phenomenon, the practise of capitalising off the creative talents of artistic communities has been around for a long time. And the most damaging application of this practise occurs in the land markets. While we’re out busting our bums creating vibrant awesome and sustainable communities, behind the scenes is a secret, shady bunch of land sharks circling.
It’s called gentrification – and there’s a really good explanation of how it works on the I Want To Live Here film comp site.
It sucks that we bust our asses creating great places to live only to get priced out of the area by lazy land hoarders cashing in on the value our hard work creates.
I think it’s super important for creative people to understand because it’s pretty common to see creative responses to the aesthetic issues of land banking – but rare to see these responses address the real drivers behind the issues. I’ve been seeing more and more projects emerging that are designed to make boarded up buildings attractive or to ‘help’ landlords find creative people to move in. But while the intentions behind these projects are very positive and genuine, they do all have the long term effect of making the land more valuable, thus compounding the problem. What’s needed are creative ideas to try and break the cycles and systems that create the problem of high rents and vacant buildings in the first place.
But of course the first step is understanding.
I always say that an important role of the artist in society is to act as a mirror of society – so we can see what we’re really up to, and to help create the visions of the way things could be. Inspiring and creating change is something artists and crafters are really good at – and have been doing for centuries.
So I was super proud to be asked to be part of a team of local creatives keen to get together and create a visual campaign around the effects of rampant land speculation in Melbourne. It currently takes 9.5 years of full time average wage to buy an average house in Melbourne (it was 4 years when the subprime crisis hit the US). This is absolutely insane! Yet still our media and politicians continue to perpetuate the myth that forever rising property prices are a good thing.
But who are they good for? Not young people, that’s for sure. How many of you young renters out there could ever imagine having the half a million bucks it takes to enter the market in Melbourne today? How many of us continue to buy the story that the First Home Owners Grant is about supporting young people. When in reality all the policy has done has further inflated prices above and beyond the original grants. First Home Owners Grant? Baby Boomers Bailout more like.
This stuff is so important for creative people to understand for two reasons. Firstly because it directly impacts on our lives in regards to the hours of our lives we waste working to pay for the roofs over our heads. And secondly because our own communities are guilty of perpetuating the same behaviour. I can’t count the number of craft and indie design markets I have seen this year alone with insanely high stall fees. There was one in particular I saw where the stall fees for a ‘fringe’ event alongside a major design event were higher than for the design event itself. And this is becoming more common.
We need to call bullshit on it.
The fact that there is a massive shift in awareness towards the important economic and environmental benefits of handmade stuff is freakin awesome. There are wonderful communities everywhere making and buying the things they need in life without destroying an ecosystem or exploiting another community in the process. We need to do what we can to support these systems and a big part of that is keeping a close eye on the marketplaces that support the trade in these products.
I have personal experience in running a market so I have an idea about how much these things cost – in both time and money. Our markets were run for the love of craft so we didn’t ever break even on costs but we really didn’t charge much for stalls. What was important for us was that our sellers had the freedom to make really out there stuff. Charging a high rent – which is what a stall fee is – would impact on that freedom, so we kept the fees low.
I know we could’ve charged a bit more. I’m sure our sellers would’ve forgiven us for wanting to at least cover costs. But if we had of charged that, and if we’d have hired a flasher venue and spent more on advertising etc there is NO WAY we would’ve been charging some of the stall fee levels I’ve seen recently.
I think it’s essential that if the craft movement in particular is going to have an analysis on issues of environmental impacts, multinational retail and workers rights we must also have a solid analysis of the politics of property – both physical and intellectual – since these areas have such massive impacts on our practice as crafters.
Enough ranting.
For this campaign we decided the main objective was to try and get young people to pay attention to the way land was being used in our suburbs. And to try and draw attention to who really drives the debates around these issues.
So presenting Melbourne’s latest real estate company: realestate4ransom.com Check the website and Facebook for more info on what it’s about and to see some of the images of the street part of the campaign. I’ll try and update some major bits here too.
But the main reason for this post is to get some of you undercover operatives in the Melbourne Revolutionary Craft Circle fired up to get out and do some craft! I’ve put together a tutorial on how to do a dollar sign on a fence. This post was supposed to be that tutorial but given the length of this post already I think I’ll do it separate..
So check out the website, fan us on Facebook and follow us on Twitter and Youtube (stay tuned for mad clip) and help us spread the word about what’s really going on.
Tutorial next!
xox
3..2..1.. Launch!
3CR’s Seeds of Dissent Calendar Launch
Everyone is welcome to come to the Calendar Launch on Friday, November 13 at Readings Bookshop in Carlton at 6pm for free wine and talk! [Readings is located at 309 Lygon St, Carlton, Victoria: Phone (03) 9347 6633.]
Face Up To The Future! with 3CR’s fifth Seeds Of Dissent Calendar. 3CR asked 12 artists who are part of Australian activist culture to contribute an artwork that reflects their idea of the future.
In 2006, 3CR created a Seeds of Dissent! Calendar to celebrate 3CR’s 30th birthday. The full colour, nationally distributed calendar teemed with radical dates, ideas and inspiration for social change. The calendar sold out of its 2000 copies. Since then 3CR’s Promotions Sub Committee’s Calendar Team has produced a yearly calendar, each with a fresh theme.
Face Up ToThe Future! — 3CR’s fifth Seeds Of Dissent Calendar — looks ahead to imagine a future we want to live in, while also celebrating Australia’s radical history. We asked 12 artists who are part of Australian activist culture to contribute an artwork that reflects their idea of the future. Some artists have created images that imagine the ideal future and some have chosen to depict issues we need to address today in order to achieve it.
Australian history re-envisioned with a cheeky female bushranger, uranium mining and the need to recognise the interdependence of ecology, the tyrannical expectations of female beauty, the return of tumbling as a form of transportation (!), Indigenous people at the heart of popular culture… these are the some of the issues explored by artists such as Arlene Texta Queen, Deborah Kelly, Bindi Cole, Adam Hill, Tom O’Hern, Mitch [? sorry Mitch], Jo Waite, Rayna Fahey (that would be me), Tom Civil, Mickie Quick, Lachlan Conn and Paul J Kalemba.
Cross-stitched samplers, stencils, felt pen drawings, collages, cartoons, illustration, computer art… these are the media the artists use to take us into the future of the 2010 Seeds of Dissent Calendar.
Also!
How to Make Trouble and Influence People
is a wonderful new book by some trouble-making bloke called Iain McIntyre, and is published by the redoubtable and not-at-all nervous Breakdown Press.
Launched in Newcastle at TINA it will be launched again, kicking and screaming, in Melbourne on THURSDAY the 5th NOVEMBER (remember, remember..) at the BELLA UNION BAR (Victorian Trades Hall, cnr Victoria and Lygon Streets) between the hours of 6 and 8pm.
The book compiles tales of unconventional political dissent included in three previously-published pamphlets — How To Make Trouble And Influence People (1996), How to Stop Whining and Start Living (1998) and Revenge Of The Troublemaker (2003) — and, as an EXTRA! ADDED! BONUS!, interviews with a number of pranksters, photos galore, and er, other stuff.
Thanks @ndy for the blog post which I just nicked and reposted here. There’s plenty of Radical Cross Stitch in BOTH these publications so make sure you get along to at least one of these great nights. And make sure you get your copy of the calendar! It does look fantastic. It’s a must have for your wall in 2010.
Colouring in the city
If you went into the city in the weekend, it’s quite likely you saw something a tad unusual. You may have seen a garden in a strange place, a performance that left you scratching your head or a group of people doing something a bit odd. Or you may not have even noticed at all as a group of silent people walked past you, experiencing the sounds of the city without making any of their own.
It was a fantastic weekend of interventions by all the artists involved in the Interventionist Guide to Melbourne. Did you see or hear anything over the weekend? I’d love to hear if you did.
As for the radical cross stitch component, there were two interventions over the weekend. The first was a cross stitch on an existing grid on Lonsdale Street, just near the corner of King Street. There is a beautiful old blue stone building there which is currently a barristers office, but in one of its manifestations was the home of the Seabrook Wine Merchants. Fittingly – at some point in time – a grape vine was planted outside the front and over the years has been trained up the side of the building. To help it along the way, a wire grid was attached to the side of the building.
This is what caught my eye.
During the G20 trials I spent a bit of time in this area and I noticed just how few children were around this part of town. During the week most of them are in school I realise but even small children are noticeably absent. And gee, try taking a pram through court security.. In the weekend this part of the city is a ghost town.
I decided this spot was perfect for a bit of commentary on the invivsibility of children in the urban space.
All the times I’d visited this space previously there wasn’t any greenery on the grape vine. The last time I went past there was a very small amount. So I was delighted to see how much had grown on it. The vine created a perfect frame for what I’d planned to do!
There’s a few more pics on our Facebook Page if you wanna check them out.
The next stage of operations was the Melbourne Bicycle Beautification Society Outing in Flinders Lane. Normally this is a site rich in bicycle basket bounty but Sunday there was very few. So rather than sit there and stitch baskets as they came and went, participants were armed with a zine including instructions, a needle, wool and a thank you tag and sent around the city to find baskets in other places.
Each zine kit had wool to make one of these
And one of these wee tags to say thank you to the owner of the bicycle for being a cyclist
Hopefully I get some more pics from participants over the next couple of days. Were you one of them? Where did you find your basket?
The zine with the instructions and all my thoughts about the issues of intervening in the city will be online for download soon. In the meantime I have a couple more kits with all the bits in them left to giveaway. If you’d like to win one just leave a comment below and tell me what are some of the things you think about when you’re walking through cities.
Overall, a wonderful weekend! Massive thanks and congratulations to Lynda for her brilliant curating. This has been a wonderful show to be a part of and I do hope we get to work together again soon.
Bicycle Beautification
So what are you doing on Sunday?
This weekend is the Interventionist Guide to Melbourne weekend of interventions. The artists will be out and about on the streets creatively intervening with the city. Or as the Craft Cartel blog puts it: an interactive artistic wake-up call to confront all that is predictable and boring in our city.
Initially I was gonna keep mine to sneaking about putting bits and pieces up in strange places for people to find. But I got convinced that it would be much more fun to do something where other people can join in.
So…
The Melbourne Bicycle Beautification Society in association with Radical Cross Stitch and the Interventionist Guide to Melbourne are on a pilgrimage to reward Melbourne’s cyclist for their contribution to leisure, saving the planet, looking good and stopping oil wars.
In an effort to encourage spontaneous and uncontrolled acts of creativity, we invite participants to learn the art of bicycle basket cross stitch.
Materials and instructions will be provided during this casual afternoon of direct action against the pervasive boring of everyday life.
Participants need only turn up to Flinders Lane near the corner of Degraves Lane any time from 2pm until about 4.
This free event is part of the Interventionist Guide to Melbourne intervention weekend. Artists will be out and about from the 17-18th of October encouraging and even inciting random acts of public creativity. For details on other artists and how to engage in their interventions visit http://interventionistguide.org
Not brought to you by any government department or arts funding organisation.
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