3..2..1.. Launch!

3CR’s Seeds of Dissent Calendar Launch

Everyone is welcome to come to the Calendar Launch on Friday, November 13 at Readings Bookshop in Carlton at 6pm for free wine and talk! [Readings is located at 309 Lygon St, Carlton, Victoria: Phone (03) 9347 6633.]

Face Up To The Future! with 3CR’s fifth Seeds Of Dissent Calendar. 3CR asked 12 artists who are part of Australian activist culture to contribute an artwork that reflects their idea of the future.

In 2006, 3CR created a Seeds of Dissent! Calendar to celebrate 3CR’s 30th birthday. The full colour, nationally distributed calendar teemed with radical dates, ideas and inspiration for social change. The calendar sold out of its 2000 copies. Since then 3CR’s Promotions Sub Committee’s Calendar Team has produced a yearly calendar, each with a fresh theme.

Face Up ToThe Future! — 3CR’s fifth Seeds Of Dissent Calendar — looks ahead to imagine a future we want to live in, while also celebrating Australia’s radical history. We asked 12 artists who are part of Australian activist culture to contribute an artwork that reflects their idea of the future. Some artists have created images that imagine the ideal future and some have chosen to depict issues we need to address today in order to achieve it.

Australian history re-envisioned with a cheeky female bushranger, uranium mining and the need to recognise the interdependence of ecology, the tyrannical expectations of female beauty, the return of tumbling as a form of transportation (!), Indigenous people at the heart of popular culture… these are the some of the issues explored by artists such as Arlene Texta Queen, Deborah Kelly, Bindi Cole, Adam Hill, Tom O’Hern, Mitch [? sorry Mitch], Jo Waite, Rayna Fahey (that would be me), Tom Civil, Mickie Quick, Lachlan Conn and Paul J Kalemba.

Cross-stitched samplers, stencils, felt pen drawings, collages, cartoons, illustration, computer art… these are the media the artists use to take us into the future of the 2010 Seeds of Dissent Calendar.

Also!

How to Make Trouble and Influence People

is a wonderful new book by some trouble-making bloke called Iain McIntyre, and is published by the redoubtable and not-at-all nervous Breakdown Press.

Launched in Newcastle at TINA it will be launched again, kicking and screaming, in Melbourne on THURSDAY the 5th NOVEMBER (remember, remember..) at the BELLA UNION BAR (Victorian Trades Hall, cnr Victoria and Lygon Streets) between the hours of 6 and 8pm.

The book compiles tales of unconventional political dissent included in three previously-published pamphlets — How To Make Trouble And Influence People (1996), How to Stop Whining and Start Living (1998) and Revenge Of The Troublemaker (2003) — and, as an EXTRA! ADDED! BONUS!, interviews with a number of pranksters, photos galore, and er, other stuff.

Thanks @ndy for the blog post which I just nicked and reposted here.  There’s plenty of Radical Cross Stitch in BOTH these publications so make sure you get along to at least one of these great nights. And make sure you get your copy of the calendar! It does look fantastic. It’s a must have for your wall in 2010.

Colouring in the city

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If you went into the city in the weekend, it’s quite likely you saw something a tad unusual.  You may have seen a garden in a strange place, a performance that left you scratching your head or a group of people doing something a bit odd.  Or you may not have even noticed at all as a group of silent people walked past you, experiencing the sounds of the city without making any of their own.

It was a fantastic weekend of interventions by all the artists involved in the Interventionist Guide to Melbourne.  Did you see or hear anything over the weekend? I’d love to hear if you did.

As for the radical cross stitch component, there were two interventions over the weekend.  The first was a cross stitch on an existing grid on Lonsdale Street, just near the corner of King Street.  There is a beautiful old blue stone building there which is currently a barristers office, but in one of its manifestations was the home of the Seabrook Wine Merchants.  Fittingly – at some point in time – a grape vine was planted outside the front and over the years has been trained up the side of the building.  To help it along the way, a wire grid was attached to the side of the building.

This is what caught my eye.

During the G20 trials I spent a bit of time in this area and I noticed just how few children were around this part of town.  During the week most of them are in school I realise but even small children are noticeably absent.  And gee, try taking a pram through court security.. In the weekend this part of the city is a ghost town.

I decided this spot was perfect for a bit of commentary on the invivsibility of children in the urban space.

All the times I’d visited this space previously there wasn’t any greenery on the grape vine.  The last time I went past there was a very small amount.  So I was delighted to see how much had grown on it.  The vine created a perfect frame for what I’d planned to do!

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There’s a few more pics on our Facebook Page if you wanna check them out.

The next stage of operations was the Melbourne Bicycle Beautification Society Outing in Flinders Lane.  Normally this is a site rich in bicycle basket bounty but Sunday there was very few.  So rather than sit there and stitch baskets as they came and went, participants were armed with a zine including instructions, a needle, wool and a thank you tag and sent around the city to find baskets in other places.

Each zine kit had wool to make one of these

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And one of these wee tags to say thank you to the owner of the bicycle for being a cyclist

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Hopefully I get some more pics from participants over the next couple of days.  Were you one of them?  Where did you find your basket?

The zine with the instructions and all my thoughts about the issues of intervening in the city will be online for download soon.  In the meantime I have a couple more kits with all the bits in them left to giveaway.  If you’d like to win one just leave a comment below and tell me what are some of the things you think about when you’re walking through cities.

Overall, a wonderful weekend! Massive thanks and congratulations to Lynda for her brilliant curating.  This has been a wonderful show to be a part of and I do hope we get to work together again soon.

Bicycle Beautification

So what are you doing on Sunday?

This weekend is the Interventionist Guide to Melbourne weekend of interventions.  The artists will be out and about on the streets creatively intervening with the city.  Or as the Craft Cartel blog puts it: an interactive artistic wake-up call to confront all that is predictable and boring in our city.

Initially I was gonna keep mine to sneaking about putting bits and pieces up in strange places for people to find.  But I got convinced that it would be much more fun to do something where other people can join in.

So…

The Melbourne Bicycle Beautification Society in association with Radical Cross Stitch and the Interventionist Guide to Melbourne are on a pilgrimage to reward Melbourne’s cyclist for their contribution to leisure, saving the planet, looking good and stopping oil wars.

In an effort to encourage spontaneous and uncontrolled acts of creativity, we invite participants to learn the art of bicycle basket cross stitch.

Materials and instructions will be provided during this casual afternoon of direct action against the pervasive boring of everyday life.

Participants need only turn up to Flinders Lane near the corner of Degraves Lane any time from 2pm until about 4.

This free event is part of the Interventionist Guide to Melbourne intervention weekend. Artists will be out and about from the 17-18th of October encouraging and even inciting random acts of public creativity. For details on other artists and how to engage in their interventions visit http://interventionistguide.org

Not brought to you by any government department or arts funding organisation.

RSVP on Facebook

Barkly Street Addition

So a couple of weeks back I was travelling past the Barkly St fence and decided to jump off the bus to check out how the wool was weathering.  And to my enourmously pleaseant surprise I discovered someone had added to it!

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It’s not the best photo (I realised later) but it reads “I hear U’ stitched amongst the question marks!  And it looked gorgeous!

Massive hellos and respect to the person who did it!  Please get in touch xox

So in the weekend I headed back to get some better photos, only to discover someone had come along and cut it all off the fence.  Not in any kind of nice way either, all the wool was left lying all over the ground.  Hmpf.

So I cracked out some spray glue and stuck piles of it back to the top of the fence.  Nowhere near as pretty.  But better than it all sitting on the ground.

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And still there’s no house there…

Some Interventions and an Opening

Last night saw the official launch of the Interventionist Guide to Melbourne cabinets in Platform Gallery, Flinders Subway, Melbourne.  While there is a gallery space where you can go and see work, the true work is on the street, where each artist is spending the month of October encouraging and developing new ways of doing public art in Melbourne.

I have installed four pieces of work around the streets now and planning a fair few more.  For those of you in Melbourne, put October 16-18 in your diary as the weekend where all the artists will be hitting the streets for performances, tours, installations and other creative bits and pieces.

Two of the four pieces have already been on here:

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And here’s some pics of the latest couple.

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You might recognise the last piece from here.

For this show us artists were asked to consider urban space: how it’s built, how we relate to it, how others relate to it.  And for me it is very much about questions of ownership, access, power and control.  My experiences of Melbourne’s CBD have been quite varied; as a worker, an activist, a resident, a mother, a pregnant woman, a public transport user, a cyclist, a pedestrian.  None of those experiences have meant much control in the space so I’ve managed to experience quite varied forms of discrimination in that space.

I’m also very aware of the access issues other people face.  Those in wheelchairs is a prime example.  It’s hard enough getting around with a pram sometimes, but even harder with a wheel chair.  You learn a whole different path of navigation around the city that able bodied people just don’t ever need to consider.  Another example is the elderly.  I do know people who live in Melbourne who haven’t visited the CBD in over a decade because it’s just too hard and intimidating.  They prefer the relative safety of the suburbs where they can get everything they need without the (media driven) fear of the city space. And there’s of course other reasons, language especially.

This all means that there is a large amount of people who are simply excluded from that space, they are invisible.

I got wondering just how many other people thought about these issues and I figured probably not too many.  Discrimination tends not to be something you think about until you experience it, and spatial experience is something that even those that experience it, aren’t necessarily aware of.  The idea that our cities and buildings are designed by and for able-bodied white guys is such a given that considerations for other needs are rarely made.

I always find department stores pretty amazing in their design.  If you stop and look at actually who uses a department store, women are by far the majority.  Yet even their designs rarely accommodate their needs.  If it’s a multi story building you will almost always find the baby wares department above or beyond ground level.  So a woman with a pram is going to need to negotiate at least one floor change to get there.  And given you aren’t supposed to use an escalator with a pram it can sometimes take longer to get to the department you want than to find the actual item you’re looking for once your there.  And that’s if you can get through the aisles.  It’s astonishing how many shops selling baby things I have been into with a pram that have aisles narrower than the average pram..

So a lot of the pieces I’m doing are talking about different peoples’ relationships with space.  And also the stuff that moves through the space.  Especially given a fair chunk of the urban space is dedicated to the peddling of stuff.

The piece above on the rubbish bin is one such piece.  Very much geared towards encouraging people to consider how easily and flippantly we throw things away.  Rather than focussing on whether you can recycle something or not, I’m more interested in people thinking about why they needed this throw away thing in the first place.  It seems that so many people still believe that the solutions to climate change and the rampant abuse of our planet are decisions to be made by politicians and CEOs.  While those people certainly have a role, the role of the consumer in changing their own behaviour is just as, if not more important.  In a country with the highest per capita emissions in the world, we really need to start thinking about why we invest so much energy in making things just to have a short, uninteresting interaction with the thing and then throw it away.  There’s got to more to life.

So these are just some of the issues that I think about when engaging with the urban fabric.  And I am sure these are completely different to the issues the other artists consider.  I urge you to visit the website and visit the gallery and check them all out.

And most importantly, I urge you to grab a map from the gallery and get out into the city and consider your own relationships with the spaces within and what opportunities you see for artistic practice and engagement.  Then head back to the gallery and share your ideas with the rest of us!

And now for some pics of the opening.  Thanks to all who came it was a great night!

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The Great Xtreme Destash

With an expanding family it was time to make some tough decisions about space in our house. I made the big call and offered to hand over my craft room to be the new guest room. Then the existing guest room (which adjoins Tara’s room) can become Tara’s new big girls room.

It was a tough call to make. But when I looked at it from an efficiency perspective it was quite obvious. I don’t actually craft in there very often. I was limited to being in there when Tara was asleep otherwise a) I couldn’t watch her or b) she’d tear the room apart. So I really wasn’t in there much. And it was turning into a giant hoard room. Hardly practising what I preach when it comes to sustainable crafting.

So I decided to set myself a challenge to consolidate the room to one filing cabinet and one tall set of shelves. I’m only allowed to keep what will fit in there. This means getting rid of a heap of stuff.

Readers might remember last year Cate from Polka Dot Rabbit started the Buy Nothing Craft Month. It completely changed my crafting. Rather than buying piles of crap because I might make something out of it one day. I stopped buying and started making. It did truly radical things to my output and my savings! Other than embroidery floss and sometimes aida fabric I’ve pretty much stopped buying stuff. But I got given a fair bit so the stash wasn’t going down too far.

But now I’m getting serious!

My mission is to make, give away, or sell as much out of that room as I can over the next couple of months. And I’m gonna share the results. But to add a bit of a challenge I’m going to try not to throw any of it away. So I’m trying to find uses for all the scraps too. Given the massive environmental impacts of the textiles industry, I believe we’re obliged to at least try to find uses for our scraps. And given the resources out there, it shouldn’t be too difficult.

A little while ago a friend gave me the book Generation T – 108 ways to transform a t-shirt (warning – last time I opened their website there was a blimmin loud auto play video on it that started with an ad. I’d mute before clicking..). It’s a fantastic resource and filled with heaps of ideas on how to reuse fabric. While most of the projects do rely on t-shirts in an existing form, a fair few of them don’t. And a bunch of them don’t even need t-shirt fabric.

I’ve been inspired by a couple of projects. Firstly there’s a great tutorial on how to make an ‘it’ doll. A nice wee baby friendly gender-neutral soft doll. Given how livid the mainstream toy industry makes me, I thought it made perfect sense to get organised and make my own. Now I have a stash of future presents and stall items for markets!

The first bunch I made I used some terry towling I had lying around.

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Believe it or not, I wasn’t actually intending to make aliens.  It was just a fluke I picked the green fabric.  And it wasn’t until I finished them I had that ‘would you look at that’ moment.  I gave one to the neighbours wee boy and he loves chewing on it.  The best things about them is that they can be thrown in the washing machine if they get dirty – perfect baby toys!

I decided to have another go making them but with a bit of variation.

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I call these ones ‘little hugs’.  Gave them extra long arms so they can give their friends lots of big cuddles.  And I gave them faces; stitched on, so there’s no dangerous fally off choky bits.

I’m quite proud of them, they look really cool!  And were nice and easy to make.  I think all up it took me about three hours to make four of them at a time.  Can’t wait to give them to some certain little people…

Next up is still a WIP.  But I decided to get into my scraps bag and make something fun with all the crazy unmatched scraps in there.  Another project in the Generation T book is a couple of great patterns for rugs.  I decided to make a braided one as a new mat for our toilet.  Our existing one is pretty damn ugly.  And it’s a room in our house that needs more craft in it!

All you have to do is cut your fabric into strips, stitch the strips together (I used a zig zag stitch on the sewing machine but you can hand stitch it no problems), braid three lengths together and then using a running stitch/whip stitch, stitch the braid on the under side into a spiral.  It’s a bit slow to do but it looks cool!  And a great way to use a heap of fabric.  I started with three lengths about 3 metres long and I’ve got a rug about 30cm wide.  I need to add another couple of metres worth I reckon, to make it big enough for a loo mat.

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This last shot shows the underside.  The red thread is my running stitch holding it together.

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This is a great project for using very different types of fabric since they get mixed up so nicely.  I used everything from nice japanese cottons to upholstery fabric selvedge.  It’s a fun way to remember all your past projects!  Will post a pic when it’s finished.

My craft room is also supplying all the resources I need for the Interventionist Guide.  Other than a roll of gutter guard I picked up from an op shop.  Everything in the show is coming out of my stash.

I’m also planning to sell a few things.  Mostly things I know other people could really appreciate that I’m simply not appreciating enough.  All in the Radical Rags store and living in the vintage supplies section.  Yesterday I listed a couple of Golden Hands books.  They’re in excellent condition.  Don’t think the original owner ever used them.  And I haven’t either..  I’ve got a few of them to list yet so if you’re a collector and have a hole in your collection, let me know and I’ll let you know if I’ve got it.

So it’s a blimmin big mission but one I’m determined to complete.  Stay tuned for updates.

In the meantime I have to share this pic of Tara.  I so wish I was as cool as her :)

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MRCC gets more press!

The latest Melbourne Revolutionary Craft Circle action already got in the local paper. And to add to that I did an interview on 3CR’s fabulously awesome DIY Arts Show – which you can listen to online now.

AND today a story has appeared in The Vine about it.

Yay!

RCS in the paper

After the latest action by the Melbourne Revolutionary Craft Circle in Footscray, one of the local papers, The Star, wrote a story about it. Including a lovely bad ass guerilla crafter pic!

What the…

Readers of Radical Cross Stitch will remember last year when the Melbourne Revolutionary Craft Circle got out in Footscray and stitched ‘I Wanna Live Here’ on the fence on the corner of Barkly St and Commercial Road.  Here’s the award-winning short film by Anna Brownfield as a refresher

So almost a year on and some philistine (guessing the landlord..) cut it off!  Clearly not happy with the community questioning the ongoing waste of such a precious resource the local landmark was destroyed.

The MRCC was clearly not going to let this go unresponded to.  So a few days later we were out again, this time armed with bright green wool and tummies filled with Pho.

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What the hell is going on?
Why is this block still empty?
Why are there 11 other vacant sites around the primary school?
Why does the State Government continue to believe the outright lies of the property industry that the housing crisis is driven by lack of land?
Why do we still allow this waste of our most precious resource when there’s over 100,000 people every night in Australia with no place to live, let alone call home?

We’ve had enough.

Green Renters

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Anyone who’s ever rented a place will know how hard it is to get your landlord to fix something when it’s broken.  Unless you have a dream landlord – or your landlord lives with you – it can take bloody ages.

I remember living in a flat at university which was owned by a lecturer and managed by her daughter.  They were pretty good landlords but were right into spending as little as possible on the place.  That meant the daughters husband was made to do any alterations on their houses.  He was a lovely bloke but not really that competent.

One day we were told that they were going to fix up our (centuries old) side footpath.  This was great – we thought – until the work fixing the footpath broke the (centuries old) sewerage pipes under the footpath.  Needless to say we went without a loo for far too long for a house of four twenty something women, and the place stunk for weeks!

Everyone has a story like this.  It does seem so much easier to own your own place.  But with housing affordability at its worst point since WW1 in Australia for far too many owning is just way out of the question.  (And for those of you considering buying? Don’t. Read this.)

So for those of you out there in rentland who are conscious of the fact we live on a finite planet and are looking for ways to reduce your house’s impact on the earth, there is a brilliant new site for you!

Green Renters is “a blog for those who rent but still strive to lead an ecologically and environmentally sound existence”.  The site is chocka full of tips on how to increase the efficiency of your home life without major renovations and also good strategies for convincing your landlord that the major sustainable renovations are a good idea.

Did you know that the home insulation rebate is turning into a properly funded thing on July 1?  That means that people on lower incomes can get their home insulated for free from July 1.  The grant is only for owner-occupiers but there’s a few people I know that live with their landlord, so if that’s you, make sure your lord sees this!

Green Renters is a super resource and I recommend you all take a look.  Even if you do own your own home there’s a ton of good resources on how to do things cheaper and better for our lovely earth.

Hooray!