Every now and then you stumble across something and think ‘gee, I’d totally tattoo that on myself’.  Well, this year I had one of those moments and went with it.

I’ve always thought I’d wait until I was at least 30 before I got a tattoo. I had that gut instinct that if I did something like that before then I’d most probably end up regretting it. I was a fickle young thing.

So for the last couple of years I have seriously contemplated a couple of ideas. I did get very close to a cross stitch design. Figured I needed to stitch it up before embarking on actual ink. And after I had done that, decided it would be a bit big for what I wanted.

I’m a collector of old craft. Either finished pieces or the things people use to make with. I have lots of old needle cases and needle books. Tons of old needles, wool winders, thimbles, you get my drift. A couple of months ago I bought this simply gorgeous antique souvenir sewing kit. It didn’t take long for me to realise that THIS was what was going on me forever.

Click here to see the other images of the box. It is such a delightful object, I am going to treasure it for a very long time!

I’m the kind of person that believes in the importance of signs. It’s crucial to remind yourself of the messages you hold true. Some people hang stuff on the wall, pin things to their office cubicles, embroider samplers, paint on footpaths. I have a small affirmation stuck on the inside of my wardrobe door, I have pictures on my walls, and a vast collection of button badges I can pop out for the right moment.

It’s Never Too Late To Mend, is very much a motto for me. I apply it to craft, politics, our lovely planet, my relationships and communities. And now I proudly wear my motto on my arm to help me keep on track for the rest of my life.

A massive thanks to Matt Gordon who was working out of Down to Earth Tattoos for his beautiful work. He was so much fun to hang out with!

And another massive thanks to Mark Burban for the great pic. I did some really great work with Mark and will be revealing more on that project soon!

Now, get mending!

xxx

rayna

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It was a perfect Melbourne Autumn day when a bunch of lovely folk got together in the Iramoo Community Centre to embark on an epic wee apple sauce making session.  See the EcoLiving Centre where my studio is has a huge apple tree outside.  A random act of inspiration hit me when I saw hundreds of apples going to waste.  My inner desire to waste not want not led me to start a sauce making day. I couldn’t think of a lovelier way to introduce myself to the locals and kick off the residency.

Coincidentally there was already a community swap meet in the progress of being organised so the two events were merged and a community day was born!

Wyndham Vale is out in the sprawling meetropolis on the edge of Melbourne.  And it’s a rapidly growing area with Wyndham Vale having the  highest  population growth in the country last year.  But like all suburbs filled with busy working people, struggling to grow a strong sense of community.  That’s what I love about community kitchens, they have a fabulous way of bringing people together.

So a group of like minded folk gathered in the kitchen armed with peelers, knives, measuring cups and wooden spoons. (hint #1 have lots of peelers!).  Soon the smell of cinnamon was wafting through the centre.

There was a bouncing castle, a swap meet, a brilliantly awesome coffee cart and a mental note to my love to take photos of these things next time!

Once we got the first batch cooked and jarred and the next bunch on the go I did a short chat about myself and the craft I do and then got into our Gocco session.

We were blessed to have the very awesome creative talents of Pilgrim from Draw! Pilgrim for our label design.  And she’s agreed to have this label up as a free pdf download. Click here to download a nice printable version. It’s set up to fit most jar sizes.

I managed to give a very clear example of how NOT to do gocco first up!  See we had this great design that was designed for two colours on each print.  BUT in my nervous flustered rush to get it done I FORGOT to lift the plastic layer up before sticking on all the tiny bits of foam and then squeezing on all the ink. (hint #2 when running workshops take deep breaths and double check your steps!)

Sigh.

We probably could’ve figured a way of reusing that screen but I decided that time was ticking away so I just grabbed another and we got into it.  We decided to keep it simple this time and not do the different colours rather do one label in each colour. I think they were feeling a bit sorry for me!

The first print was gorgeous! There was a hearty round of oohs and aahs and everyone was mad keen to give it a go.  And I dare say there was a significant level of gocco converts in the group!

After some drying and cooling time, it was finally time to decorate the jars and they look HOT!

A heap more cooking and sterilising and stirring and printing and chopping and gluing ensued and before we knew it we had a bench covered in yummy scrummy jars of sauce. If anyone wants the recipe I’ve posted it at the bottom of this post.

And how chuffed were all the attendees to take home some jars? Yip, pretty blimmin chuffed.  I for one went straight home and cranked up a roast pork and it was DELICIOUS.

Overall, the day was a brilliant success. What was most satisfying for me was bringing together a bunch of like minded people who are all based in the West and working in various ways on issues of community, environment and sustainability. But whom in most part didn’t know each other.  Many great conversations were held and it was fabulous as a facilitator to be floating in and out of conversations about cooking, politics, climate change, gardening, parenting and economics.  Even more exciting for me has been watching everyone connect on Facebook post event and continuing the conversations and collaborations.

The other aspect of the event that I was really happy about were the people who didn’t attend but still contributed.  There were people contributing apples and jars all week even though they weren’t able to attend.  I’m really looking forward to starting the next stage of the residency and meeting even more awesome locals!

Massive thanks to all who attended and made the day such a raving success.

xox

Rayna

APPLE SAUCE RECIPE
Preparation Time
10 minutes
Cooking Time
20 minutes
Makes
750ml (3 cups)
Ingredients
1kg granny smith apples, peeled, cored, coarsely chopped
100g (1/2 cup, firmly packed) brown sugar
185ml (3/4 cup) apple juice or water
1 tbs fresh lemon juice
2 x 7cm cinnamon sticks
1/4 tsp mixed spice
Method
Combine the apple, sugar, apple juice or water, lemon juice, cinnamon sticks and mixed spice in a large saucepan over low heat. Cook, stirring, for 3 minutes or until the sugar dissolves.
Increase heat to medium-high and bring to the boil. Reduce heat to medium-low and simmer, covered, stirring occasionally, for 15 minutes or until the apple is soft. Remove from heat. Remove cinnamon sticks and discard. Set aside, uncovered, for 5 minutes to cool slightly.
Transfer apple mixture to the jug of a blender or the bowl of a food processor and process until pureed (we didn’t bother doing this, just cooked it a bit longer and mashed it in the pot). Place in a clean saucepan and stir over low heat until heated through.
Notes
This apple sauce will keep in an airtight container in the fridge for up to 2 days.

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Righto! Who’s up for a stitch-a-long?

Radical Cross Stitch is teaming up with Public Assembly to create a contribution to the Digital Embroidered Commons project that’s being facilitated by the amazing Ele Carpenter. We will be stitching the term SITE and we want you to help!

We’re creating an installation piece as part of the Sculpture Now!?! exhibition at the Yarra Sculpture Gallery and we are creating a craft room inside the gallery for the purposes of stitching the term together.  And we’d love you to join us.

We will be in the gallery for three making sessions.  Each session complete with cups of tea, baked goods and of course, radical discussion.

“SITE: Location, both as in the fact of being somewhere, and also, as in the answer to the question of “where”, that “somewhere” is. Hence, situation.”

Step into our craft room, make yourself a cuppa and pick up a needle.  All welcome, no experience necessary. Join us as we embrace the radical political and artistic spirit of centuries of craft circles to unpick the big issues of the day.

xxxxx

Public sessions:
Friday 27th August 5-8pm (open session – this is the official opening of the show so will be a tad busy..)
Thursday 2nd September 1-4 (limited spaces, RSVP kids welcome)
Sunday 5th September 1-4 (limited spaces, RSVP kids welcome)

The installation is viewable as a snapshot of a work in progress at all other times

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Sculpture Now!?! will deliver a snapshot of the current thematic and conceptual influences that inform contemporary sculptural practice in Australia. The artists range from emerging to established with an emphasis on innovation and experimentation. The exhibition aspires to shed some light on the myriad of diverse trajectories in which sculptural practice is heading.

Other artists participating: Stelarc, Hannah Bertram, Rod McRae, Karleena Mitchell, Petra Svoboda, Junky Projects, Eliza-Jane Gilchrist, Linelle Septo, Lucie Hallenstein

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About a year ago I worked for one of the biggest sites on the interwebz which targets a demographic group of kids between nine and seventeen years, handling their costumer support for a couple of weeks. What I thought would be a mind numbing 9-5 job to pay the rent between semesters at Uni, turned out to be a really thrilling and interesting insight into youth culture today. After a year spent writing academic essays on cultural studies, mostly about subculture and its connection to feminism and DIY, I realised that this was a gold mine for anyone interested in girl culture.

The site caters to the idolising, fame seeking, and brand loving youngster and most of the users are girls, from all over the world. It is a mix between a game based around paper dolls and a social community where the users can chat, communicate in groups and discuss their favourite clothing brands, pop icons or basically anything. The paper doll part consists of, on the one hand, pre-made dolls and clothes based on real celebrities ranging from Miley Cyrus and Britney Spears to Kurt Cobain and Joan of Arc, and on the other your own “Me doll”, your alter ego or avatar on the site which you can make up to look exactly as you want when it comes so size, skin colour, eyes, clothes, make up, hair style and so on (as long as you keep within the socially acceptable frames that limits your choices – for example when it comes to body shape/size). It is free to sign up for an ordinary account, but to get the good stuff – buying the nicest outfits, participate in the best competitions or getting your little paws on the coolest eyeliner – you have to pay for a monthly membership and also use your parents Visa card to buy the artificial currency that is used on the site. It is basically the girl version of World of Warcraft, but instead of pretending to be a druid that uses magical positions to kill monsters you buy cute tops, shiny handbags and pretty scarves from Donna Karen.

What I find interesting about this is the subject position these girls claim for themselves in a milieu that is so connected to the female stereotype of body managing, appearance, keeping busy with making yourself up as a woman/girl, instead of using your energy to fight these stereotypes and demands. Stuff that little girls like – ponies, glitter make up, pretty dresses, boy bands, and playing dress up – are seen as cute, unimportant, commercialised and utterly harmless to society. Or as Polly Styrene, the grandmother of punk, puts it; “some people think little girls should be seen, not heard”. Being a girl is not something to be really proud of; the negative connotations of running, screaming or crying like a girl is not just expressions without meaning, they actually say something about the way we regard girls. Also, girl culture is often looked upon from a sort of “non-culture” angle; that it is just looks, an image or fad that young girls adopt one week and discard the next in favour of something new and hip. This in contrast to boy culture, or proper subculture, who is seen as lived culture where age, gender and staying true to the scene are important factors that make up cool.

I myself had (and still have) my doubts and critical thoughts about this kind of gendered, commercial marketing, targeting kids and dragging them into the consumer culture lifestyle. But spending my days answering questions from the sites users and dealing with abuse reports from its community, I discovered something that I hadn’t thought of earlier. It was what I like to call the seedy underbelly of girls, the scheming, lying, bribing, name calling, stealing, hoaxing and cheating that is raging on the site. All the things that good girls don’t do. And all this in a hyper commercialised environment, centred around looks, clothes, accessories, fame, pop culture and branding.

There are young girls coming together, creating a space and culture of their own within a pre-packaged environment, turning it into a arena of pre-teen queens forming secret gangs and cliques, using their html skills to set up mirror sites for stealing passwords, making up new personas, lying, cheating and essentially not being nice. In an odd sort of way, I found this very liberating and, well… fun. Of course I realise that little girls calling each other stuff like “you stupid crack whore” and stealing money from others isn’t a good thing. But I like the fact that this shows that they are agents in their own life, they’re not pretty dolls that just play dress up and sit quiet in a corner. Coming from a teen hood where I myself found feminism through the angry screams of the riot grrrls, a punk phenomena reclaiming the girl as something powerful, good, subversive and bursting with rage, I wish that a society that’s started to regard boy nerd culture (like WoW) as proof of creative modern youth culture, could do the same here. I think that’s what I’m trying to mirror in this cross stitch – the mash up of cuteness, cuddly cats and pastel colours together with a “I don’t owe you anything” attitude that creates its own rules and at the same time, on some level, re-thinks the whole concept of being girly.

Of course I got the quote from a Bikini Kill song.

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I’m sorry folks, I’ve not really been quite up with the play with the blogging thing recently.  But I’m trying to get better I promise! One really super important thing that I let slip was the fact that I’M IN A FILM! And so is Casey, and Gemma and Pip! And even better, Anna made it (mostly) all by herself!

Anna in Frankie Magazine

Making it Handmade is a documentary about:

A seditious and subversive subculture is gaining momentum in Melbourne. But rather than wielding megaphones and placards, they’re cross-stitching slogans on hurricane wire and constructing plush female genitalia from craft supplies.

Following four local women who’ve taken a seemingly staid past-time and injected it with a youthful, modern aesthetic, filmmaker Anna Brownfield shows a side of craft more closely aligned with punk DIY culture than with Martha Stewart and ‘home sweet home’ tapestries.

“I wanted to show that craft was no longer daggy but had moved into a new era and was being reclaimed by women who had been brought up as feminists.” – filmmaker Anna Brownfield

And it’s AWESOME!  Making it Handmade just had its premiere screening at the Melbourne International Film Festival and was insanely popular.  There was only one screening and it was one of the first to sell out.  And there was so many people sad they missed out.  But don’t fret, there are more screenings being planned as I type.  There’s also plans afoot to take the film to other centres so those of you in far off places can see the awesomeness too.

After the screening there was a short panel with Anna, Casey, Pip, Gemma and myself and there was some nice interesting questions asked.  I’ve had some amazing feedback from people since the screening. Friends have told me they had their horizons shifted once again and strangers have got in touch with overwhelming levels of inspiration bubbling out of them!

So were you there? What did you think? What was your favourite bit? My favourite bit was watching all the happy people making stuff and seeing my now three and a half year old looking little and cute as a one year old!  It was exciting for her too.  It was the first time Tara had ever been to the movies and she was in it! Not many kids can say THAT.

For more information and to keep up with future screening news check out Anna’s blog http://www.annabrownfield.blogspot.com I’ll try let you know too. But yeah, bit slack on the blogging..

xox

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As readers of Radical Cross Stitch will know I am a big time fan of Melbourne community radio station 3CR.  There is nothing like turning on the ol’ wireless to hear people from my own communities talking about news and issues that are relevant to me and the lives of the people around me.  And it’s even better that I never hear any loud voices screaming at me to quickly empty my pockets into the hands of giant corporate consumerist empires!

So I didn’t hesitate for a second last year when the fine folk there asked me to contribute to the 2010 Seeds of Dissent Calendar.  I still consider that piece to be my greatest stitching achievement so far and I was super happy over the weekend to finally pick it up from the framers after a 12 month hunt for the PERFECT vintage frame.

Well I promised that I’d make the pattern available and at long last it’s now in store.  And if you hurry and grab it over the next couple of days it’s half price (sale ends Friday).  Proceeds go straight to 3CR! If you don’t already know the 3CR Radiothon is on NOW! So you should pop over to their website and become a subscriber. The theme for radiothon this year is Handmade Radio and subscribers get a copy of CRAM which contains a fab pattern to make your own radio! Including some wee cross stitch embellishment patterns from me.

Need more reasons to love 3CR? Check the spunks in this wee clip

3CR Radiothon TVC 2010 from 3cr on Vimeo.

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Everyone is welcome to come to the Calendar Launch on Friday, November 13 at Readings Bookshop in Carlton at 6pm for free wine and talk! [Readings is located at 309 Lygon St, Carlton, Victoria: Phone (03) 9347 6633.]

Face Up To The Future! with 3CR’s fifth Seeds Of Dissent Calendar. 3CR asked 12 artists who are part of Australian activist culture to contribute an artwork that reflects their idea of the future.

In 2006, 3CR created a Seeds of Dissent! Calendar to celebrate 3CR’s 30th birthday. The full colour, nationally distributed calendar teemed with radical dates, ideas and inspiration for social change. The calendar sold out of its 2000 copies. Since then 3CR’s Promotions Sub Committee’s Calendar Team has produced a yearly calendar, each with a fresh theme.

Face Up ToThe Future! — 3CR’s fifth Seeds Of Dissent Calendar — looks ahead to imagine a future we want to live in, while also celebrating Australia’s radical history. We asked 12 artists who are part of Australian activist culture to contribute an artwork that reflects their idea of the future. Some artists have created images that imagine the ideal future and some have chosen to depict issues we need to address today in order to achieve it.

Australian history re-envisioned with a cheeky female bushranger, uranium mining and the need to recognise the interdependence of ecology, the tyrannical expectations of female beauty, the return of tumbling as a form of transportation (!), Indigenous people at the heart of popular culture… these are the some of the issues explored by artists such as Arlene Texta Queen, Deborah Kelly, Bindi Cole, Adam Hill, Tom O’Hern, Mitch [? sorry Mitch], Jo Waite, Rayna Fahey (that would be me), Tom Civil, Mickie Quick, Lachlan Conn and Paul J Kalemba.

Cross-stitched samplers, stencils, felt pen drawings, collages, cartoons, illustration, computer art… these are the media the artists use to take us into the future of the 2010 Seeds of Dissent Calendar.

Also!

How to Make Trouble and Influence People

is a wonderful new book by some trouble-making bloke called Iain McIntyre, and is published by the redoubtable and not-at-all nervous Breakdown Press.

Launched in Newcastle at TINA it will be launched again, kicking and screaming, in Melbourne on THURSDAY the 5th NOVEMBER (remember, remember..) at the BELLA UNION BAR (Victorian Trades Hall, cnr Victoria and Lygon Streets) between the hours of 6 and 8pm.

The book compiles tales of unconventional political dissent included in three previously-published pamphlets — How To Make Trouble And Influence People (1996), How to Stop Whining and Start Living (1998) and Revenge Of The Troublemaker (2003) — and, as an EXTRA! ADDED! BONUS!, interviews with a number of pranksters, photos galore, and er, other stuff.

Thanks @ndy for the blog post which I just nicked and reposted here.  There’s plenty of Radical Cross Stitch in BOTH these publications so make sure you get along to at least one of these great nights. And make sure you get your copy of the calendar! It does look fantastic. It’s a must have for your wall in 2010.

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I have installed four pieces of work around the streets now and planning a fair few more.  For those of you in Melbourne, put October 16-18 in your diary as the weekend where all the artists will be hitting the streets for performances, tours, installations and other creative bits and pieces.

Two of the four pieces have already been on here:

And here’s some pics of the latest couple.

You might recognise the last piece from here.

For this show us artists were asked to consider urban space: how it’s built, how we relate to it, how others relate to it.  And for me it is very much about questions of ownership, access, power and control.  My experiences of Melbourne’s CBD have been quite varied; as a worker, an activist, a resident, a mother, a pregnant woman, a public transport user, a cyclist, a pedestrian.  None of those experiences have meant much control in the space so I’ve managed to experience quite varied forms of discrimination in that space.

I’m also very aware of the access issues other people face.  Those in wheelchairs is a prime example.  It’s hard enough getting around with a pram sometimes, but even harder with a wheel chair.  You learn a whole different path of navigation around the city that able bodied people just don’t ever need to consider.  Another example is the elderly.  I do know people who live in Melbourne who haven’t visited the CBD in over a decade because it’s just too hard and intimidating.  They prefer the relative safety of the suburbs where they can get everything they need without the (media driven) fear of the city space. And there’s of course other reasons, language especially.

This all means that there is a large amount of people who are simply excluded from that space, they are invisible.

I got wondering just how many other people thought about these issues and I figured probably not too many.  Discrimination tends not to be something you think about until you experience it, and spatial experience is something that even those that experience it, aren’t necessarily aware of.  The idea that our cities and buildings are designed by and for able-bodied white guys is such a given that considerations for other needs are rarely made.

I always find department stores pretty amazing in their design.  If you stop and look at actually who uses a department store, women are by far the majority.  Yet even their designs rarely accommodate their needs.  If it’s a multi story building you will almost always find the baby wares department above or beyond ground level.  So a woman with a pram is going to need to negotiate at least one floor change to get there.  And given you aren’t supposed to use an escalator with a pram it can sometimes take longer to get to the department you want than to find the actual item you’re looking for once your there.  And that’s if you can get through the aisles.  It’s astonishing how many shops selling baby things I have been into with a pram that have aisles narrower than the average pram..

So a lot of the pieces I’m doing are talking about different peoples’ relationships with space.  And also the stuff that moves through the space.  Especially given a fair chunk of the urban space is dedicated to the peddling of stuff.

The piece above on the rubbish bin is one such piece.  Very much geared towards encouraging people to consider how easily and flippantly we throw things away.  Rather than focussing on whether you can recycle something or not, I’m more interested in people thinking about why they needed this throw away thing in the first place.  It seems that so many people still believe that the solutions to climate change and the rampant abuse of our planet are decisions to be made by politicians and CEOs.  While those people certainly have a role, the role of the consumer in changing their own behaviour is just as, if not more important.  In a country with the highest per capita emissions in the world, we really need to start thinking about why we invest so much energy in making things just to have a short, uninteresting interaction with the thing and then throw it away.  There’s got to more to life.

So these are just some of the issues that I think about when engaging with the urban fabric.  And I am sure these are completely different to the issues the other artists consider.  I urge you to visit the website and visit the gallery and check them all out.

And most importantly, I urge you to grab a map from the gallery and get out into the city and consider your own relationships with the spaces within and what opportunities you see for artistic practice and engagement.  Then head back to the gallery and share your ideas with the rest of us!

And now for some pics of the opening.  Thanks to all who came it was a great night!

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Firstly, opening next week in Jönköpings, Sweden, is “Craftwerk 2.0: New Household Tactics for the Popular Crafts”.

Craftwerk 2.0 is an exhibition that explores the new “updated” textile crafts that are developed by a new generation of serious amateurs, innovative craftsmen, engaged entrepreneurs and political practitioners.

This is one of the biggest craft exhibitions on the calendar this year and the RCS crew is most excited to be a part of it! Both I and the Ninja have pieces in the show including ‘Oh Sorry, was that your land?’, ‘Homes for All’, Mario map, and an as yet unseen series of QR codes.  There’s some really interesting events running with the show and I urge anyone anywhere near Sweden to put this show in your diary!  The exhibition runs from September 19 until January 16 2010.

The next exhibition on the agenda is Explosive Expression, an Art Auction and Exhibition in commemoration of the second anniversary of the State Terror Raids in New Zealand of October 15th, 2007.  For more info on the Exhibition and the Auction (online bids are welcome for those not able to be in Wellington) check out the website and the Facebook event.

I was most honoured to be asked to contribute to this show.  As readers will probably know, I am friends with a number of the defendants so have paid close attention to the developments of the cases.  But aside from that I am appalled at the massive amounts of money being spent by the NZ counter terrorism unit investigating activists.  As the Greens warned when this legislation was first introduced, it’s about giving massive powers to Police which encroach on civil liberties.  And they warned from day one, due to the complete lack of domestic terrorism the legislation would inevitably be used to monitor and stifle dissent.

Whether or not the defendants are found guilty on the charges they all face is quite irrelevant to the overall issue that the Police spent over $10million investigating, using intensely intrusive surveillance techniques, a significant proportion of the NZ activist community in the name of counter-terrorism.   They executed warrants on homes across the country and literally terrorised entire communities and homes containing small children.

The small group of people now facing relatively minor charges in comparison to the hype created around the initial raids now have to face the ‘justice’ system and receive a fair trial.  To do this they need massive contributions towards their defence.  Not just to cover the legal costs but also the costs of travel for the defendants and their families every time they need to be in court.

I urge anyone out there with an interest in collecting art, particularly political art to check out the works on the website and consider making a bid.  Especially those of you in countries with strong currencies!  The NZ Dollar is buying about 70 US cents at the mo’ so money coming in from overseas will go further

The piece I have contributed is called ‘Security Glam’ and is based on this image that came out of a collaboration between our friends at the Groundswell Collective and Artists at War

I will post an image of the completed piece once it’s on the Oct 15th Solidarity site.

Thirdly, I was asked a while back to participate in a Melbourne show (finally!!) and there was no way I was going to say no to this one!  Curated by the super inspiring Lynda Roberts from Public Assembly, the Interventionist Guide to Melbourne is a group show of work by artists who focus their work in engaging with the urban fabric.

The show is both gallery and street based with the Platform Gallery being transformed into a virtual map of Melbourne revealing sites for individuals and groups to creatively and temporarily intervene within the existing urban fabric.

Each artist will contribute work in various mediums but each will be editing a zine guide as to how to go out and ‘do’ their form of intervention.  The works will inspire members of the public to go out and do their own interventions which can be documented and will add to the show.

My work is very much focussed around challenging notions of space, particularly around issues of ownership, construction and access.  I’ll be sharing the skills for three types of craft based intervention and am pleased to say none of it involves yarn bombing..

The opening is on October the 2nd at Platform (FB event here) and continues until the 30th.  Contributing artists will also be out on the street on Oct 16-18 intervening! Keep an eye on the website for more details.

Finally – and this is the half – I’ve been working on a page for the 2010 3CR Calendar.  It’s one of the major fundraising activities for Melbourne’s best grassroots community, activist radio station.  And I was super honoured to be asked to contribute.  So it’s not really an exhibition as such, but a group show appearing on a wall near you!  I understand the calendar is about to go to the printers and I think the launch is in November some time.  Will let you know details when I know them.

The piece I contributed is an antique inspired sampler with an anti-consumerist theme.  Reckon you old skool cross stitchers out there will love it.  I’m also going to release the pattern as a fundraiser for 3CR, it’ll be available in the Radical Rags store sometime later this year.

So I reckon there’s been about 80,000 or so stitches over the last few months which hopefully explains the lack of blog words! I’ll update this site over the next few weeks with more images and details as they come to hand.

Thanks for stopping in to make sure we’re still here

xox

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by Sublime Stitching.

Rayna has a great chat with Faythe about the film, making zines, the GFC, and yes, Paris Hilton comes up again!  Check out the Handmade Nation website and blog and Flickr site to see pics of the Aussie tour and of course, the Paris Hilton pics. A MASSIVE big thanks to the awesome people at in.cube8r Gallery in Smith Street for helping to make this interview happen!

The track off the podcast is Craft Talk by Leslie Hall.  It’s Craft-tastic! Check the video:

Next up we bring back the zine review section and review:

The Thrity Crafter from Apartment Cat
Sharp and Pointy – a craft zine by mir UPDATE – you can buy it here!
Outdoor Knit: the graffiti knit kit from Outdoor Knit

And a bit of an update on the Craft Cartel. Check out the Fashion Jam pics here, read about Trash Bag Rehab here, and the Melbourne Social Forum here, and the City Press workshop here!

Phew!

And as always we’d love to hear from you, comment below or drop us a line. And don’t forget to check out the archive if you’re new round here.

The best way to listen to the podcast is to subscribe and download today!

If that doesn’t work  you can download the file directly from here.

We really don’t like advertising very much round these parts, so if you like what you hear, please make a donation to help support future episodes. It’s what an add-free world sounds like.

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