We have a big fence around our community garden where we have our Permaculture Playgroup and it does serve a useful purpose, it keeps the little kids in and almost keeps the big bored night time naughty kids out, almost..  Over the last year and a bit I’ve been coordinating little projects to help beautify our fence and to make it function a bit better.

I started with a moving mural on the south side of the garden to act as a bit of a wind break. We keep adding to it with our scraps and it looks great, especially when you enter the park from the south side and you get the best view of it.  We have two main winds, a westerly and a southerly. When it comes form the west, the strips of fabric flap and wave in the wind, looking really pretty. When it comes from the south the fabric gets pushed flat against the fence and helps keep the wind from heading straight at the kids in the sandpit.

All the fabric is attached using a basic latch hook rug style technique. Is there a name for this type of knot, anyone?

We’ve also been weaving little hearts a la outdoorknit along one little part of the fence. It’s a spot visible from the playground and the shops across the road and whilst they serve no functional purpose, they make the garden look so friendly and inviting despite the great hunka fence around it!

Not fence related but still lovely was the bunting we made last year with bumble bees gocco’d on some of the flags. Along with the streamers fluttering around the garden it gives the place a truly festive atmosphere!

Next up was the infamous bra bug gardens. They didn’t hold up too well in the weather. You definitely need to use a padded bra! The one I used was black and it’s faded quite a lot, so I recommend if anyone makes any of these you go over board with the decorations. One of the ones I made collapsed and the other one was doing ok but then the potting shed got moved in front of it so I’m not sure how it’s doing now..

But I’ve taken the same theory and expanded on it! I went to Reverse Art Truck aka heaven, a while back and amongst my treasures, Iscored a pile of industrial cardboard cotton spools. We decorated the outsides of them by spray painting a base layer and then sticking some lace on and spraying again with a contrasting colour then peeling the lace off. Instant pretty patterns!

We filled the spools with a layer of toy stuffing (cause I had some dirty stuff lying around) but you could use straw mulch or anything. just something to plug the hole at the bottom of the spool. Then we filled them with dirt and stuck a little baby succulent in each one.

Some of the spools were tied to the fence, some were stuck in the branches of the vine that grows on that part of the fence. We chose to do it there so when the vine covers itself in leaves over the summer months, it’ll provide some shade for the plants, and then they get the sunshine in summer!

The bright colours on the spools also went beautifully with a craft project we did a couple of weeks ago which also ended up on the fence.

Next step is to experiment with what we can grow in them. I started with the easiest but keen to hear any suggestions for food plants that might like minimal amounts of soil and water and plenty of sunlight. Yeah, I know..

Next project plan is to experiment with fence weaving techniques, so til then, happy fence arrrting

xx

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In collaboration with the realestate4ransom prankster campaign against the rampant land speculation plaguing Melbourne’s suburbs, Radical Cross Stitch and the Melbourne Revolutionary Craft Circle invite you to engage in a small piece of community beautification. This post is all about the how – make sure you read all about the why before you begin.

The following document contains full instructions on how to cross stitch a dollar sign on your favourite local block of vacant land.

Materials:

x Red wool – can be obtained from your local op shop, your own craft stash or raid someone else’s
x Time
x A fence with either diamond or square grid on a block of vacant land
x A friend or two – ‘cause these things are always more fun with mates

Part A: Finger Knitting

Step 1: Tie your wool in a loose loop around your index finger

Step 2: Swing knot around to the back of your index finger then loosely loop wool round your middle finger.

Step 3: Bring wool round the back of your hand and from left to right, wrap over the front of your fingers above the existing loops.

Step 4: Take hold of original loop on your index finger and pull it over the second loop and over your finger and release.  You’ll need to bend your finger down to get it over easily.  The first one might be a bit tight if your original loop wasn’t loose enough.  Don’t worry this is normal and won’t happen on the rest of them.

Step 5: Repeat step 4 for the loop on your middle finger.  Will look like this when finished.

Step 6: Take hold of loose wool and wrap around your hand counter clockwise, ensuring the new wool sits above the old wool looped on your fingers.

Step 7: Repeat steps 4-6

Step 8: After about 7-10 rounds a ‘snake’ of knitted wool will be forming behind your hand.  Pull on this snake to lengthen and tighten it.

And that’s it!

Now time to keep knitting.  You’ll need about 10 metres for this project.  Once you have about 5 metres of knitted wool, cut the wool and tie it round your finger knitting to knot it.  Don’t worry about this looking too attractive; it’ll get chopped off during the fence stitching process.

Part B: Fence Stitching

Now these photos aren’t as sexy due to the whole night time installation aspect of this kind of thing.  Turns out my camera doesn’t like taking close shots of bright red wool at night with a flash… But you’ll get the drift.

This tutorial is based on a stitch done on a diamond shaped chain link fence.  If you’ve struck gold and found a square grid fence, the directions will be slightly different.  I’ve italicised the extra bits.

Step 1: Figure out where you’re going to start.  You want your stitching to be nicely centred.  Don’t rush this process!  Count it a couple of times if you need to.  Make sure your design has enough room without running into the edge of the fence, or into a broken bit of fence.

Step 2: Tie the end of your wool onto the fence onto the left corner of the diamond or bottom left corner of the square. Don’t worry about the hanging end bit of wool, you can tidy these all off at the end.  But ensure it’s tightly secured so it doesn’t come off!

Step 3: pull your wool straight across the diamond and through the next diamond.  Pass the wool behind and down to the diamond below. Gee that’s kinda hard to explain – look at the picture! For square grids you’ll go diagonally up and then down.

Step 4: pull the wool vertically (or diagonally) up, through and behind to the next diamond.  In the picture my next diamond was the one up and to the left from my first.

There’s your first cross!

Now a brief pause to talk about tension.  It’s really important to keep all your stitches tight!  Firstly because it looks better, secondly because it lasts longer and finally and most importantly because it uses less wool!  All that time finger knitting – best to use it efficiently!  I usually stop every couple of stitches and give everything another tug to make sure it’s nice and tight.

Step 5: repeat steps 3 & 4 for the rest of your pattern.  Once you get the hang of it you can start to get a bit clever about using the ‘thread’ to secure the behind work a bit neater as you go along.  You want to keep the behind work as close to the stitches or the wire as possible so it keeps it neater and makes your finished design really clear.  There’s no clear way to explain how to do this because it all depends on what direction you’re going in.  It’s something you pick up with practice.  So the more fence stitching you do the better!

Step 6: When you’ve finished the pattern, tie your wool off as tight as you can.  As with your original knot, make sure it’s super secure.

Step 7: Cut off the extra wool.  Make sure you leave a couple of centimetres spare just so the wool has a little bit to move before coming undone.  Remember your stitching has to brave the elements so it will all move a bit over time.

Step 8: Step back and admire!!

Congratulations you just made one ugly mofo fence, heaps less ugly.  And if you’ve used this pattern – you’ve also helped educate your community that this wasted block of land that appears to be just collecting weeds and rubbish is also helping line the pockets of some fat cat speculator.  These blocks don’t just sit there doing nothing – they sit there making money!

The Pattern!

While of course you can use this tutorial to make whatever pattern you want – there’s no such thing as a bad fence stitch! – this tutorial has been put together to encourage to get on board with our campaign to highlight the vacant land in our suburbs.  Land that is sitting there being ugly when it could be a lovely home – or a nice local business.

Here’s the two dollar sign patterns.  One for a square grid (these are the easiest to do – but the fences are rarer) and one for the diamond grid.

They’re not the best quality image for the diagonal fence sorry…  Will work on getting a better one, but it should do the trick for now.

And that’s it!

I’ve also made a pretty pdf version (8MB) of this doc which is easiest for printing if you prefer.

Very much looking forward to seeing what people can do with this tutorial.  As a special treat, if you send me pics of your finished dollar sign and let me know your postal address I’ll send you one of our limited edition gocco printed speculator cum rags!

So get out there kids.  There are literally hundreds of canvases across our suburbs to decorate!  If you need help finding one maybe check out the invest page on the realestate4ransom.com site for some ideas.

xox

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Those of you who’ve been following this site for a while will know that one of the biggest issues that concerns me is the stifling effects of land speculation on our communities and our creativity.  While many of us crafty types would love to make stuff full time, it’s just not possible when we need to work so many hours a week to pay the rent/mortgage.  It’s bloody frustrating that our economic system rewards those that just buy and sell for a living yet punishes those of us who actually create.

One of big current issues in the craft world has been the ripping off of the ideas and designs of independent crafters/illustrators etc.  It seems like a weekly occurrence that some big company has found the work of a designer online and stolen it for their own products.  And who has the legal budget to fight that kind of crap?

Whilst this might seem like a new phenomenon, the practise of capitalising off the creative talents of artistic communities has been around for a long time.  And the most damaging application of this practise occurs in the land markets.  While we’re out busting our bums creating vibrant awesome and sustainable communities, behind the scenes is a secret, shady bunch of land sharks circling.

It’s called gentrification – and there’s a really good explanation of how it works on the I Want To Live Here film comp site.

It sucks that we bust our asses creating great places to live only to get priced out of the area by lazy land hoarders cashing in on the value our hard work creates.

I think it’s super important for creative people to understand because it’s pretty common to see creative responses to the aesthetic issues of land banking – but rare to see these responses address the real drivers behind the issues.  I’ve been  seeing more and more projects emerging that are designed to make boarded up buildings attractive or to ‘help’ landlords find creative people to move in.  But while the intentions behind these projects are very positive and genuine, they do all have the long term effect of making the land more valuable, thus compounding the problem.  What’s needed are creative ideas to try and break the cycles and systems that create the problem of high rents and vacant buildings in the first place.

But of course the first step is understanding.

I always say that an important role of the artist in society is to act as a mirror of society – so we can see what we’re really up to, and to help create the visions of the way things could be.  Inspiring and creating change is something artists and crafters are really good at – and have been doing for centuries.

So I was super proud to be asked to be part of a team of local creatives keen to get together and create a visual campaign around the effects of rampant land speculation in Melbourne.  It currently takes 9.5 years of full time average wage to buy an average house in Melbourne (it was 4 years when the subprime crisis hit the US).  This is absolutely insane!  Yet still our media and politicians continue to perpetuate the myth that forever rising property prices are a good thing.

But who are they good for?  Not young people, that’s for sure.  How many of you young renters out there could ever imagine having the half a million bucks it takes to enter the market in Melbourne today?  How many of us continue to buy the story that the First Home Owners Grant is about supporting young people.  When in reality all the policy has done has further inflated prices above and beyond the original grants.  First Home Owners Grant? Baby Boomers Bailout more like.

This stuff is so important for creative people to understand for two reasons.  Firstly because it directly impacts on our lives in regards to the hours of our lives we waste working to pay for the roofs over our heads.  And secondly because our own communities are guilty of perpetuating the same behaviour.  I can’t count the number of craft and indie design markets I have seen this year alone with insanely high stall fees.  There was one in particular I saw where the stall fees for a ‘fringe’ event alongside a major design event were higher than for the design event itself.  And this is becoming more common.

We need to call bullshit on it.

The fact that there is a massive shift in awareness towards the important economic and environmental benefits of handmade stuff is freakin awesome.  There are wonderful communities everywhere making and buying the things they need in life without destroying an ecosystem or exploiting another community in the process.  We need to do what we can to support these systems and a big part of that is keeping a close eye on the marketplaces that support the trade in these products.

I have personal experience in running a market so I have an idea about how much these things cost – in both time and money.  Our markets were run for the love of craft so we didn’t ever break even on costs but we really didn’t charge much for stalls.  What was important for us was that our sellers had the freedom to make really out there stuff.  Charging a high rent – which is what a stall fee is – would impact on that freedom, so we kept the fees low.

I know we could’ve charged a bit more.  I’m sure our sellers would’ve forgiven us for wanting to at least cover costs.  But if we had of charged that, and if we’d have hired a flasher venue and spent more on advertising etc there is NO WAY we would’ve been charging some of the stall fee levels I’ve seen recently.

I think it’s essential that if the craft movement in particular is going to have an analysis on issues of environmental impacts, multinational retail and workers rights we must also have a solid analysis of the politics of property – both physical and intellectual – since these areas have such massive impacts on our practice as crafters.

Enough ranting.

For this campaign we decided the main objective was to try and get young people to pay attention to the way land was being used in our suburbs.   And to try and draw attention to who really drives the debates around these issues.

So presenting Melbourne’s latest real estate company: realestate4ransom.com Check the website and Facebook for more info on what it’s about and to see some of the images of the street part of the campaign.  I’ll try and update some major bits here too.

But the main reason for this post is to get some of you undercover operatives in the Melbourne Revolutionary Craft Circle fired up to get out and do some craft!  I’ve put together a tutorial on how to do a dollar sign on a fence.  This post was supposed to be that tutorial but given the length of this post already I think I’ll do it separate..

So check out the website, fan us on Facebook and follow us on Twitter and Youtube (stay tuned for mad clip) and help us spread the word about what’s really going on.

Tutorial next!

xox

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Spent today in the city doing some final preparations for the Interventionist Guide.  Aside from the wind, it was one of the most fun days I have had in a very long time!  I am SO looking forward to the show opening so the play can REALLY begin!

Put it in your diaries people! Friday October 2nd, 5pm, Platform Gallery, Flinders Subway, Melbourne.

Also, I look this pregnant now

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Firstly, opening next week in Jönköpings, Sweden, is “Craftwerk 2.0: New Household Tactics for the Popular Crafts”.

Craftwerk 2.0 is an exhibition that explores the new “updated” textile crafts that are developed by a new generation of serious amateurs, innovative craftsmen, engaged entrepreneurs and political practitioners.

This is one of the biggest craft exhibitions on the calendar this year and the RCS crew is most excited to be a part of it! Both I and the Ninja have pieces in the show including ‘Oh Sorry, was that your land?’, ‘Homes for All’, Mario map, and an as yet unseen series of QR codes.  There’s some really interesting events running with the show and I urge anyone anywhere near Sweden to put this show in your diary!  The exhibition runs from September 19 until January 16 2010.

The next exhibition on the agenda is Explosive Expression, an Art Auction and Exhibition in commemoration of the second anniversary of the State Terror Raids in New Zealand of October 15th, 2007.  For more info on the Exhibition and the Auction (online bids are welcome for those not able to be in Wellington) check out the website and the Facebook event.

I was most honoured to be asked to contribute to this show.  As readers will probably know, I am friends with a number of the defendants so have paid close attention to the developments of the cases.  But aside from that I am appalled at the massive amounts of money being spent by the NZ counter terrorism unit investigating activists.  As the Greens warned when this legislation was first introduced, it’s about giving massive powers to Police which encroach on civil liberties.  And they warned from day one, due to the complete lack of domestic terrorism the legislation would inevitably be used to monitor and stifle dissent.

Whether or not the defendants are found guilty on the charges they all face is quite irrelevant to the overall issue that the Police spent over $10million investigating, using intensely intrusive surveillance techniques, a significant proportion of the NZ activist community in the name of counter-terrorism.   They executed warrants on homes across the country and literally terrorised entire communities and homes containing small children.

The small group of people now facing relatively minor charges in comparison to the hype created around the initial raids now have to face the ‘justice’ system and receive a fair trial.  To do this they need massive contributions towards their defence.  Not just to cover the legal costs but also the costs of travel for the defendants and their families every time they need to be in court.

I urge anyone out there with an interest in collecting art, particularly political art to check out the works on the website and consider making a bid.  Especially those of you in countries with strong currencies!  The NZ Dollar is buying about 70 US cents at the mo’ so money coming in from overseas will go further

The piece I have contributed is called ‘Security Glam’ and is based on this image that came out of a collaboration between our friends at the Groundswell Collective and Artists at War

I will post an image of the completed piece once it’s on the Oct 15th Solidarity site.

Thirdly, I was asked a while back to participate in a Melbourne show (finally!!) and there was no way I was going to say no to this one!  Curated by the super inspiring Lynda Roberts from Public Assembly, the Interventionist Guide to Melbourne is a group show of work by artists who focus their work in engaging with the urban fabric.

The show is both gallery and street based with the Platform Gallery being transformed into a virtual map of Melbourne revealing sites for individuals and groups to creatively and temporarily intervene within the existing urban fabric.

Each artist will contribute work in various mediums but each will be editing a zine guide as to how to go out and ‘do’ their form of intervention.  The works will inspire members of the public to go out and do their own interventions which can be documented and will add to the show.

My work is very much focussed around challenging notions of space, particularly around issues of ownership, construction and access.  I’ll be sharing the skills for three types of craft based intervention and am pleased to say none of it involves yarn bombing..

The opening is on October the 2nd at Platform (FB event here) and continues until the 30th.  Contributing artists will also be out on the street on Oct 16-18 intervening! Keep an eye on the website for more details.

Finally – and this is the half – I’ve been working on a page for the 2010 3CR Calendar.  It’s one of the major fundraising activities for Melbourne’s best grassroots community, activist radio station.  And I was super honoured to be asked to contribute.  So it’s not really an exhibition as such, but a group show appearing on a wall near you!  I understand the calendar is about to go to the printers and I think the launch is in November some time.  Will let you know details when I know them.

The piece I contributed is an antique inspired sampler with an anti-consumerist theme.  Reckon you old skool cross stitchers out there will love it.  I’m also going to release the pattern as a fundraiser for 3CR, it’ll be available in the Radical Rags store sometime later this year.

So I reckon there’s been about 80,000 or so stitches over the last few months which hopefully explains the lack of blog words! I’ll update this site over the next few weeks with more images and details as they come to hand.

Thanks for stopping in to make sure we’re still here

xox

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Just before Christmas I was approached and asked to participate in The Streets of Melbourne Festival.  It’s the first time this Festival has been run and it’s been designed to showcase and celebrate street culture.  Be it dance, performance, music or art.  The Festival was run over three days in Federation Square in Melbourne.

I decided to use the opportunity to experiment with some ideas I’d been having about large scale cross stitch works.

Given that Federation Square is a privately run space, I was a bit limited in what I could do in terms of overt political statements.  So I decided to go covert.

I’ve been working on stitching QR Codes for some time now.  I’ve been doing them on regular Aida fabric (14 count mostly) and they’ve been working really well.  So I decided to do it large scale.  This project was stitched with black and white finger knitted wool and stitched on animal fencing (which is tough to work with but has a lovely strong and square grid).

QR Codes, or Quick Response Codes are an open source mobile phone read bar code type technology which originated from Japan (download the free reader here).  While the Japanese tend to use QR codes for communicating public service information ie public transport timetables.  The introduction of QR Codes to Australia has largely been based in advertising (ugh).

So I’ve been working QR Codes in cross stitch as a way of exploring non-corporate alternatives to this potentially very interesting and useful communication medium.

The piece designed for The Streets of Melbourne is designed to make a very clear statement on the irony of a privately owned and operated city square.  A space that, within Western culture, has traditionally been the primary space for free speech.  And of course this space in particular is part of the traditional gathering grounds for the people of the Kulin Nations.

It is to the Kulin Nations that this piece, QRacks in the Land, is dedicated.

A very special thanks to Emma for support in making this happen!

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Alicia Coria and two of her sons, Ivan Castro, 8, and Diego Castro, 10, never had a chance. As they crossed North Avenue at Kimball one afternoon last October, an 87-year-old driver lost control of his car, ran a red light and slammed into the mother and her children, killing them all.

Some communities chose anger as a way of dealing with grief. And some chose education. Guess which types of communities grow stronger?

Artists Mike Bancroft and Anthony Marcos Rea installed this portable mural on the intersection where Alice, Ivan and Diego lost their lives.

Stowe third graders, under the tutelage of artists Mike Bancroft and Anthony Marcos Rea, installed the portable mural.

The mural – a series of plastic silhouettes of students portrayed against a colorful background made with mylar tape – is affixed to two sides of a cyclone fence surrounding a vacant lot on the northeast corner of North and Kimball. It was officially unveiled at a May 17 ceremony attended by students, artists, neighbors and local officials.

I can say from experience that having visual reminders of community issues is a super effective way of provoking community debate and highlighting important issues. This mural not only honours the memory of the lives that were lost but educates and empowers the community to ensure it never happens again.

Nice.

Props: Wooster Collective

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A few days ago members of the Melbourne Revolutionary Craft Circle went out armed with bags of finger knitted wool, seeds, painted banners, ribbons, thermoses, cups, cameras, chocolate and some sneaky hip flasks to engage in some creative resistance against the rampant speculation which is wreaking havoc in the Melbourne suburb of Footscray.

Concerned that there are increasing numbers of young people with nowhere to live while there is a ton of land lying around unused while the owners reap huge rewards as the property market delivers the rewards that are always guaranteed when a resource is scarce. And we were asking ourselves when the politicians are gonna realise that something needs to change when land values always go up at a higher rate than wage increases? There is a big connection between land speculation and the 27000 people who sleep it rough every night in Australia.

So we decided that all the boring chainlink fences in our suburb keeping people off the land needed a bit of cheering up.

Firstly we decided that some of the properties that were for sale needed a bit of help. They’d all been sitting there empty for a long, long time. One had half a construction on it but was so weather damaged that it will probably need to be pulled down and started again. So to complement the For Sale signs, we added our own:

This one was pinched within 12 hours. We took that as an endorsement on our brilliant artistic skills. I don’t think it was the owner ’cause the ribbons were left on the fence.

These were handpainted on old curtain fabric samples scored from Freecycle. We just projected the text on the fabric and painted it in. I have the file if anyone really wants it get in touch.

Our major piece was another fence cross stitch intervention. The site we chose is a corner sites in between two new townhouses, across the road from a primary school and with a bus stop outside. An extremely desirable piece of land just sitting there.

Fuelled by hot chocolate and yummy samosas (not at the same time) we spent about 3 hours sorting out the fence

Naturally, a bunch of women weaving a fence at 11.30 on a Sunday night did attract the curiosity of the constabulary. They were quite genuinely puzzled when they asked us what we were up to. We just smiled sweetly and told them it was an art installation and that it was ok, it’s only wool. They just told us to have a good night and moved on.

We had another visitor too. Some young lad (whom I suspect, by the use of the word ‘choice’, may have been from Aotearoa) pulled over on the other side of the road, leapt out of his car and leaving his door open ran over to find out what we were up to. When we told him, he got very excited. I would’ve invited him to join us but I kept seeing cars nearly taking his car door off. So dude, if you happen to read this, get in touch and we’ll invite you along on the next adventure.

We also scattered some seeds on this block. It wasn’t the best place to grow veges, but if you go past this site a bit, keep your eye out for some flowers popping up soon.

So a fun (and cold) night was had by all. You can hear all about it on the latest episode of the Craft Cartel podcast with an EXCLUSIVE ALL ACCESS audio report of the night. We’ve also got a wee film of the night coming soon. I’ll update this post when that’s online. And I want to say a BIG THANK YOU to our awesome wee posse. It was such a great fun night, and I can’t wait for the next one.

Finally, while I’m on this topic… If you’re a film maker and want to tell a story about housing issues and go in the running to win $3000, check out the I Want To Live Here film comp!

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